Let The Good Times Roll

This November, Sony’s Legacy Recordings and Experience Hendrix, L.L.C. will reissue a 50th anniversary edition of Jimi Hendrix‘s third and final studio album Electric Ladyland.

Of the first run of British bands who rose to fame in the wake of the Beatles breaking through in America, none were tougher and more forbidding than the Animals. They were also one of the first English acts to break internationally while aligning themselves with the blues. While the Rolling Stones were steeped in that genre, it would take them years to summon the sort of menace that the Animals delivered on their second single, 1964's "House of the Rising Sun." The band moved into a more pop-oriented direction over the next two years without stripping songs like "Don't Let Me Be Misunderstood," "We Gotta Get Out of This Place," and "It's My Life" of their passion and intensity. Vocalist Eric Burdon would take the Animals into a more adventurous, psychedelic-infused direction after the dissolution of the original lineup in 1966, while the songs would remain proudly uncompromised to the end of their run.

Despite a title that promises, but does not deliver, a taste of the Animals live and sweaty in concert, Animals on Tour was, in fact, the U.S. equivalent to the Animals' second British album, Animal Tracks (whose title then became their third American set). Eight of the British album's cuts made it onto the U.S. version, together with two songs left over from the similarly rearranged first album as well as two more culled from singles: the Top 20 hit "I'm Crying" and the less successful "Boom Boom," re-recorded from the group's first-ever independent release. In either incarnation, it is a less arresting release than its predecessor, all the more so since the group had undergone a seismic change in both style and direction since it was recorded. Keyboard player Alan Price had quit, while the band's latest single, "Don't Let Me Be Misunderstood" evoked a modern mod-blues style that only the Rolling Stones were close to competing for…

Despite a title that promises, but does not deliver, a taste of the Animals live and sweaty in concert, Animals on Tour was, in fact, the U.S. equivalent to the Animals' second British album, Animal Tracks (whose title then became their third American set). Eight of the British album's cuts made it onto the U.S. version, together with two songs left over from the similarly rearranged first album as well as two more culled from singles: the Top 20 hit "I'm Crying" and the less successful "Boom Boom," re-recorded from the group's first-ever independent release. In either incarnation, it is a less arresting release than its predecessor, all the more so since the group had undergone a seismic change in both style and direction since it was recorded. Keyboard player Alan Price had quit, while the band's latest single, "Don't Let Me Be Misunderstood" evoked a modern mod-blues style that only the Rolling Stones were close to competing for…

In the late spring of 1972, after numerous invitations to reunite, the elusive Dion DiMucci finally agreed to perform – for the first time in 12 years – with the original members of the Belmonts in a one-off concert as part of a rock and roll revival show to be held at Madison Square Garden. The date was June 2, 1972. The arena was sold out and the atmosphere was electric. The legendary Bronx, New York-based vocal group had earned a reputation not only for topping the charts but for creating some of the most vital and exciting doo-wop music on the American scene. With songs such as “I Wonder Why,” "A Teenager In Love" and "Where or When," Dion and The Belmonts earned their place in the history books, while the group's pioneering role in the development of rock 'n' roll underscored their enduring accomplishments. For this magical night Billy Vera and his band would be the backing band. “It was like an earthquake. You could literally feel the stage shake.” - Billy Vera