Its Ella Fitzgerald so it is going to be a delight to listen to, The original album called Mack The Knife : Ella In Berlin is a live album recorded, well you guess where! It includes the wonderful improvised version of Mack The Knife where Ella forgets the words and improvises a whole new song and this song contains what is great about this album also what is great about Ella Fitzgerald and that is the sheer unalloyed joy in singing it comes across in the giggling thank yous between songs and her rapport with band and audience, also included is a wonderful version of How High The Moon and Too Darn Hot. This expanded version also incudes another concert from Berlin with another version of Mack The Knife as well as tracks from a concert in Cannes and the Hollywood Bowl. So what's not to like it's Ella at her height doing what she enjoyed doing, it is a joy.
Recorded in 1989 and re-released on Original Jazz Classics in 2003, Sail Away is a fine outing by trumpeter Tom Harrell. He's joined by pianist James Williams, bassist Ray Drummond, and drummer Adam Nussbaum. A handful of guests – flutist Cheryl Pyle, guitarist John Abercrombie, tenor Joe Lovano, and soprano Dave Liebman – fill out the arrangements on ten instrumentals (two are bonus cuts from Visions). Together, Harrell and company add a contemporary spin to mainstream jazz. The ten-minute track "Dream in June" takes a number of adventurous flights of fancy without ever losing track of its base. Both Harrell and Abercrombie's solos build complex, forceful ideas against a backdrop of Nussbaum's powerful drumming, creating a dense sound that belies predictability.
The long-awaited first collaboration between two icons, Count Basie and Frank Sinatra, did something unique for the reputations of both. For Basie, the Sinatra connection inaugurated a period in the '60s where his band was more popular and better-known than it ever was, even in the big-band era. For Sinatra, Basie meant liberation, producing perhaps the loosest, rhythmically free singing of his career. Propelled by the irresistible drums of Sonny Payne, Sinatra careens up to and around the tunes, reacting jauntily to the beat and encouraging Payne to swing even harder, which was exactly the way to interact with the Basie rhythm machine – using his exquisite timing flawlessly.
Four CD set features over four hours of jazz classics from such artists as Norah Jones, St. Germain, Nina Simone, Shuggy Otis, Luther Vandross, Ella Fitzgerald, & many more. It's the 1st part of popular series "The Best… Ever!"
In the mid-1950s and early 1960s, the great Anita O’Day recorded several glorious albums for jazz entrepreneur and producer Norman Granz, among them some of the most celebrated of her long career. The LP The Jazz Stylings of Anita O’Day (Verve VLP 9125), presented here in its entirety, consists of a selection of the best songs from those years, and finds her in the company of great jazz soloists and conductors. Eight additional tracks from the same period have been included as a bonus to the original album.