Eddie Palmieri is one of the foremost Latin jazz pianists of the last half of the 20th century, blessed with a technique that fuses such ubiquitous jazz influences as the styles of Herbie Hancock, Thelonious Monk, and McCoy Tyner into a Latin context. No purist, he has also shown a welcome willingness to experiment with fusions of Latin and non-Latin music. However, despite a number of stints with major labels and numerous industry awards and nominations, he has yet to break into the American record scene in a big way.
Although often associated with the blues, only one of the ten selections on this quartet set by pianist Gene Harris (who is joined by guitarist Ron Eschete, bassist Ray Brown, and drummer Jeff Hamilton) is technically a blues. On this excellent all-around showcase for the soulful pianist, Harris sounds in prime form exploring such tunes as "This Masquerade," "Don't Be That Way," Eddie Harris' "Listen Here," and "The Song Is Ended." Listen Here! gives listeners a pretty definitive look at Gene Harris' accessible and swinging style.
David Crosby announced that his fourth solo album in five years, Here If You Listen, will be released on Oct. 26. The follow-up to 2017’s Sky Trails was created in collaboration with his Lighthouse band – Becca Stevens, Michael League and Michelle Willis – that first appeared with him on the 2016 LP Lighthouse.
Amid the ever-growing tide of Deep Purple box sets (this was at least their eighth in nine years), Listen Learn Read On stands alone, not only as the ultimate round-up of the band's greatest moments, but also as the answer to more collectors' dreams than most collectors were even aware they'd had. You want Deep Purple's long-legendary, but forever unavailable BBC sessions? They're here. You want the killer live encores that other albums omitted? They're here. You want a solid introduction to the band members' pre-Purple passages? They're here. And, of course, you want the hits. So they're here as well…
Rob Freeman and Ian McLintock never quite achieved rock stardom, but it wasn't for a lack of talent or effort, and their career together unwittingly serves as a superb example of the shifting tides of the British rock scene in the 1960s and early '70s. Freeman and McLintock's recordings get a thorough examination on Listen to the Sky, which follows the stylistic evolution of their bands over the course of a decade. Freeman (guitar and vocals) and McLintock (bass and vocals) first worked together in the Others, an R&B combo from Southwest London whose lone single, a cover of Bo Diddley's "Oh Yeah," was a well crafted rave-up in the manner of the Rolling Stones and the Pretty Things.