Rob Freeman and Ian McLintock never quite achieved rock stardom, but it wasn't for a lack of talent or effort, and their career together unwittingly serves as a superb example of the shifting tides of the British rock scene in the 1960s and early '70s. Freeman and McLintock's recordings get a thorough examination on Listen to the Sky, which follows the stylistic evolution of their bands over the course of a decade. Freeman (guitar and vocals) and McLintock (bass and vocals) first worked together in the Others, an R&B combo from Southwest London whose lone single, a cover of Bo Diddley's "Oh Yeah," was a well crafted rave-up in the manner of the Rolling Stones and the Pretty Things.
Church musicians, especially of the Anglican/Episcopal persuasion, should be happy that there's at least one person out there writing first-rate, functional, and very accessible (in the best sense) anthems and service music–music that dedicated, competent choirs and organists can perform to a high standard. Some listeners may recognize Grayston Ives (nom de plume of Bill Ives) for his years (in the 1980s) with the King's Singers where he both sang and contributed as an arranger.
Instant Party includes 11 previously released tracks by bandleader and conga player Poncho Sanchez, focusing on his Concord label recordings. Unlike similar Concord artists who have recorded for numerous labels during their career, including Mongo Santamaria and Tito Puente, Sanchez has been with the company for the majority of his career, making the track picks truly depict the best of his overall output as opposed to just his output on a particular label. Taken from 11 separate albums, highlights include "Listen Here/Cold Duck Time," "Chile con Soul," "One Mint Julep" (with Ray Charles), "Bйsame Mama" (with Mongo Santamaria), and "Watermelon Man." These tracks deliver exactly what the title promises while presenting the Latin jazz novice with a quality sampling of Poncho Sanchez.