Live The Thelonious Monk Quartet

This seven-CD box set lives up to its title, reissuing in chronological order all of tenor saxophonist Sonny Rollins' recordings for Prestige. Dating mostly from 1951-1956, these valuable performances find Rollins developing from a promising player to a potential giant; many of his best recordings would take place a year or two after this program ends. In addition to his own sessions, Rollins is featured with trombonist J.J. Johnson, on four dates with Miles Davis, and on sessions led by Thelonious Monk and trumpeter Art Farmer. Among the other musicians participating are trumpeters Kenny Dorham and Clifford Brown; pianists John Lewis, Kenny Drew, Horace Silver, Elmo Hope, Ray Bryant, Red Garland, and Tommy Flanagan…

In 1963, with guitarist Al Viola, bassist Monty Budwig, Shorty Rogers on trumpet, saxophonist Teddy Edwards and pianist/vibraphonist Victor Feldman, Manne released one of only a handful of sessions from that time period to approach Jewish music from a modern jazz perspective.

The ultimate compendium of a half century of the best music, now revised and updated. 1001 Albums You Must Hear Before You Die is a highly readable list of the best, the most important, and the most influential pop albums from 1955 through today. Carefully selected by a team of international critics and some of the best-known music reviewers and commentators, each album is a groundbreaking work seminal to the understanding and appreciation of music from the 1950s to the present. Included with each entry are production details and credits as well as reproductions of original album cover art. Perhaps most important of all, each album featured comes with an authoritative description of its importance and influence.

Various Artists - From Hard Bop To Cool (1955-1957) - La Grande Histoire Du Jazz Vol. 3 (2010) {Box 25CD - 75 of 100}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 10.6 Gb | MP3 @320 -> 5.07 Gb
Full Artwork @ 300 dpi (png) -> 792 Mb | 5% repair rar
© 1955-57, 2010 Le Chant du Monde | 574 1950.74
Jazz / Classic Jazz / Bop / Hard Bob / Cool

An epic 100 CD chronological documentation of the history of jazz music from 1898 to 1959, housed in four boxed sets. Each box contains 25 slipcase CDs, a booklet (up to 186 pages) and an index. The booklets contain extensive notes (Eng/Fr) with recording dates and line-ups. 31 hours of music in each box, totalling 1677 tracks Each track has been restored and mastered from original sources.

One of the great soprano saxophonists of all time (ranking up there with Sidney Bechet and John Coltrane), Steve Lacy's career was fascinating to watch develop. He originally doubled on clarinet and soprano (dropping the former by the mid-'50s), inspired by Bechet, and played Dixieland in New York with Rex Stewart, Cecil Scott, Red Allen, and other older musicians during 1952-1955. He debuted on record in a modernized Dixieland format with Dick Sutton in 1954. However, Lacy soon jumped over several styles to play free jazz with Cecil Taylor during 1955-1957. They recorded together and performed at the 1957 Newport Jazz Festival. Lacy recorded with Gil Evans in 1957 (they would work together on an irregular basis into the 1980s), was with Thelonious Monk's quintet in 1960 for four months, and then formed a quartet with Roswell Rudd (1961-1964) that exclusively played Monk's music; only one live set (for Emanen in 1963) resulted from that very interesting group. 6 original albums from the soprano sax maestro including works with Don Cherry & Gil Evans; Soprano Sax, Plays Theloniuous Monk, Straight Horn Of.., Evidence, Gil Evans & Ten, Great Jazz Standards.

Eric Dolphy - Vintage Dolphy (1963) {GM Recordings 3005-2 rel 1995} (featuring Don Ellis)
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 315 Mb | MP3 @320 -> 161 Mb
Full Artwork @ 300 dpi (jpg) -> 11 Mb | 5% repair rar
© 1963, 1995 GM Recordings | 3005-2
Jazz / Post Bop / Reeds

This is our all-time best seller. Selected ‘Jazz Album of the Week’ in the New York Times and on numerous ‘Best Recordings of the Year’ lists upon its original release, these live recordings from Carnegie Hall and Syracuse, New York, are now remastered and repackaged and include additional, previously unreleased Dolphy performances of Gunther Schuller’s Third Stream masterpiece Variants on a Theme by Monk. An incredible sampling of Dolphy’s artistry from ’62 to ’63, in action with his own quartet, in contemporary chamber music settings created for him by Schuller and in the heat of an all-star jam session on “Donna Lee”… Dolphy was never more brilliant.

The first of 100 tunes in this collection is a 1937 recording of tenor saxophonist Coleman Hawkins and guitarist Django Reinhardt playing Out Of Nowhere. It was recorded two years before Blue Note Records was founded. The taping was done for EMI’s Capitol label’s French division. This is an ominous hint as to the content of the 10-disc “100 Best of Blue Note” box set, which at first glance appears to have all the trimmings of a slick 21st century collection.

Various Artists - 100 Best Of Blue Note (2011) [10CD BoxSet] {Blue Note}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 3.45 Gb | MP3 @320 -> 1.40 Gb
Artwork @ 300 dpi (jpg) -> 44 Mb | 5% repair rar
© 2011 Blue Note / Capitol / EMI | 9053032
Jazz / Bop / Hard Bop / Post Bop / Soul Jazz

Luxury Blue Note collection on 10 CDs as selected by 2Sounds, spanning the history of the great Blue Note label. Packaging: Clamshell box, 10 CD, 12p booklet. I new this would be good,but I am so glad I stepped up and purchased this collection. My wife and I play through the list of CD's daily. Yes,the standards are there,but it's the players we are unfamiliar with that make this a great buy!

Miles Davis Quintet - Amsterdam Concert (1957) [Lone Hill Jazz, LHJ10141] (speed corrected)
1CD | FLAC (IMG) | Cue, no log | ffp, md5 | Full HQ Art (PNG, 300dpi) | 313MB (3% rec)
Lone Hill Jazz LHJ10141, unofficial

"Amsterdam Concert" is a rare live Miles Davis recording from 1957. This album, one of the least known recordings of Miles Davis, was recorded at the Concertgebouw in Amsterdam on December 8, 1957, a couple of days after the recording of the movie soundtrack "Ascenseur pour l'échafaud." On this concert, Miles didn't play with his regular quintet, but with the same line-up he used for the recording of "Ascenseur pour l'échafaud." It features Barney Wilen on tenor saxophone, René Urtreger on piano, Pierre Michelot on bass and Kenny Clarke on drums.