Live at Jazz Standard

Russell Malone's second CD for Maxjazz Live at Jazz Standard, Vol. 1 has a bit of a harder edge then Playground, his first session for the label. Well accompanied by pianist Martin Bejerano, bassist Tassili Bond and drummer Jonathan Blake on this live performances at the Jazz Standard, the guitarist focuses mostly on his challenging originals. "I Saw You Do It" is a marvelous example, an intricate, boundary stretching affair that is essentially a blues intermingled with post-bop and a touch of dissonance, while the breezy "Flirt" is more easygoing, built from a call and response pair of riffs that are developed into a full-fledged work. Malone's choice of Frank Rosolino's "Blue Daniel" may turn a few heads as he slowly transforms it from a jazz waltz setting into a cooking hard bop…

Masabumi Kikuchi & Masayuki Takayanagi - Live at Jazz Inn Lovely 1990 (2020) {NoBusiness NBCD135}
FLAC (tracks) - 16bit/44.1kHz - Official Digital Download -> 366 Mb | MP3 @320 -> 188 Mb
Full Artwork (jpg+pdf) -> 18 Mb | 5% repair rar
© 1990, 2020 NoBusiness Records | NBCD 135
Jazz / Post Bop / Avant-Garde Jazz / Piano / Guitar

This live date from the titular Nagoya venue reveals the mellow side of Japanese free jazz. That could seem unlikely when considering the lead name, guitarist Masayuki Takayanagi, a maverick follower of Lennie Tristano who later turned to total freak-outs and noise, partnering with the likes of outsider saxophonist Kaoru Abe. Recorded nine months before his death 30 years ago this month, the concert finds him in the company of regular collaborator bassist Nobuyoshi Ino, plus celebrated pianist Masabumi Kikuchi, who died in 2015, sitting in during a trip home from his long sojourn in the U.S. Kikuchi, who worked with Miles Davis, Gil Evans, Dave Liebman and Joe Henderson, as well as a cooperative trio with Gary Peacock and Paul Motian, exerts a pull towards the tradition.

“There is no hurry to this music, but there is great depth,” observed London Jazz News about Danish guitarist Jakob Bro’s trio with two kindred-spirit Americans: bassist Thomas Morgan and drummer Joey Baron. This poetically attuned group follows its ECM studio album of 2016, Streams – which The New York Times lauded as “ravishing” – with what Bro calls “a dream come true,” an album recorded live in New York City, over two nights at the Jazz Standard. Bay of Rainbows rolls on waves of contemplative emotion as the three musicians explore five pieces from the guitarist’s catalog, with the gorgeous “Copenhagen” a favorite reprised from Gefion, Bro’s 2015 ECM release. Others – “Evening Song,” “Red Hook” and the volatile “Dug” – are recast intimately and elastically for trio after having been initially documented by larger ensembles. Bookending Bay of Rainbows are two versions of the richly melodic “Mild,” the abstracted second rendering illustrative of Bro and company’s ability to push and pull the music into mesmerizing new shapes, onstage and in the moment.