If Kate Bush had stumbled onto the stage at London's Apollo Hammersmith theater on August 26, 2014, sang "Knees Up, Mother Brown" for 15 minutes, and then wandered off, most folks in attendance would have still felt they'd witnessed something remarkable. After all, it was the first time the gifted and reclusive artist had performed on-stage since 1979, and the fact she was greeting her audience at all seemed just short of impossible. Given the craft and ambition of Bush's body of recorded work, it came as no surprise that she had something quite grand in mind for her audience when she made her unexpected return to public performance with a run of 22 shows that stretched from August to October 2014. Bush's elaborate show included costume changes, actors, dancers, puppets, magicians, film projections, and a loose narrative that turned the concert into a three-act stage production.
First of the Big Bands is a studio album by Tony Ashton of Ashton, Gardner and Dyke and Jon Lord of Deep Purple, released in April 1974 by Purple Records in the UK and Europe and Warner Bros. Records in the US. The project was Ashton's and Lord's brainchild and continuation of their working relationship after Ashton Gardner & Dyke helped out on Jon Lord's soundtrack album The Last Rebel from 1971. Stylistically, First of the Big Bands was the precursor to Paice Ashton Lord's Malice in Wonderland album from 1977. Most of the album was recorded at Air and Apple Studios, London, with additional work being completed at De Lane Lea and Island.
Totally Stripped is a newly revised version of the documentary that was originally made to coincide with the release of The Rolling Stones Stripped album released in November 1995. It tells the story of the two studio sessions and three live shows that made up the Stripped project…
The annual New Year’s Eve Concert is one of the highlights in the calendar of every classical music fan in Berlin - and beyond: On New Year‘s Eve, the Berliner Philharmoniker invite an exceptional soloist for a festive gala. Together, the musicians bid farewell to the old year and welcome the new.
A genius signed to Decca in 1946 who defined Deccas piano sound in the 1950s and 1960s with ravishing cantabile and depth of sonority borne of matchless technique. Complete Decca Recordings on 35CDs, including new-to-CD early recordings remastered from 78s, plus some of Deccas first-ever LPs.
Presentation includes 35CD Lift-off- lid box; notes by Cyrus Meher-Homji in English, German and French; rare photos and selected original covers in booklet. A child prodigy of startling promise, Julius Katchen matured into a pianist of broad interests and unique artistry. His death at age 42 denied a discerning public the presence of one of Deccas star instrumentalists during the 1950s and 1960s.
The new box contains no fewer than three different Williams recordings of that most popular of all guitar works, Rodrigo’s Concierto de Aranjuez – from 1964 with the Ormandy and the Philadelphia Orchestra, from 1974 with Barenboim and the English Chamber Orchestra, and from 1983 with Frémaux and the Philharmonia Orchestra – plus a performance of its much-loved Adagio in Williams’s celebrated 1993 “Seville Concert”. That entire concert is presented here too, on both CD and DVD – the latter also including a bonus documentary portrait of the artist. Reviewing his second studio recording of the concerto, Gramophone in January 1975 proclaimed: “John Williams himself has already made one of the finest [versions], yet if possible even more conclusively this new one must be counted a winner, irresistible from first to last.
The new box contains no fewer than three different Williams recordings of that most popular of all guitar works, Rodrigo’s Concierto de Aranjuez – from 1964 with the Ormandy and the Philadelphia Orchestra, from 1974 with Barenboim and the English Chamber Orchestra, and from 1983 with Frémaux and the Philharmonia Orchestra – plus a performance of its much-loved Adagio in Williams’s celebrated 1993 “Seville Concert”. That entire concert is presented here too, on both CD and DVD – the latter also including a bonus documentary portrait of the artist.