First recognized as the dance duo behind the club hits "Stakker" (as Humanoid) and "Papua New Guinea," Future Sound of London later became one of the most acclaimed and respected international experimental ambient groups, incorporating elements of techno, classical, jazz, hip-hop, electro, industrial, and dub into expansive, sample-heavy tracks, often exquisitely produced and usually without easy precursor.
Notoriously enigmatic and often disdainful of the press, the group's Garry Cobain and Brian Dougans worked their future-is-now aesthetic into a variety of different fields, including film and video, 2- and 3-D computer graphics and animation, the Internet, radio broadcast, and, of course, recorded music…
75 numbers from in the main the late 50's… Many featured tracks were hits sung by many well-known artists from that time like Billy Fury, Adam Faith, Marty Wilde, Alma Cogan and Cliff Richard… This box set is a great addition to any CD collection.If you wanted to add a rock n roll genre to your collection, wanted a decent compilation for your car or needed a collection of rock and roll classics for a party, then you cant go wrong with this set.
Gidon Kremer … his tone colour changing in chameleon fashion to match mood and style. He is wispy and wiry in the spare, fugal opening, but as the music blossoms into Straussian warmth, he plays with a creamy, ripe sweetness that could grace an old Hollywood weepy. Yet there is always clarity in the playing, a feeling for the contours of the music and where they are leading. –Tim Homfray, The Strad, about Kremer s Bartók Violin Concerto
This 50-CD collection of analogue albums aims to represent the heyday of Philips’ passion for great natural sound – the Stereo Years. There was a firm belief within the label’s team that recording technique was there to serve the music - the Musicians had their own views about how any given piece should be interpreted and how it should sound; the recording team’s job was to grasp that vision and make it a reality. This recording philosophy, combined with great artistry and visionary repertoire policy, created a special chapter in the history of classical music recordings that still inspires artists, sound engineers and collectors alike.
In Concert With The London Symphony Orchestra is a live album by British hard rock band Deep Purple, recorded on 25-26 September 1999 at the Royal Albert Hall in London with the London Symphony Orchestra, and released on 8 February, 2000 on Spitfire records. The album was a project started in 1999 by keyboardist Jon Lord, who sought to recreate the band's innovative 1969 album, Concerto for Group and Orchestra, of which the original score was lost. With the help of Marco de Goeij, a fan who was also a musicologist and composer, the two painstakingly recreated the lost score, and Lord elected to have the band perform it once more at the Royal Albert Hall, but this time with the London Symphony Orchestra rather than the Royal Philharmonic Orchestra, and with Paul Mann as conductor rather than Malcolm Arnold. The concert also featured songs from each member's solo careers, as well as a short Deep Purple set, and guest musicians such as Ronnie James Dio, the Steve Morse Band, and Sam Brown.
Universal Music pay tribute to the short but prolific musical life of enigmatic Glasgow blues-rocker Alex Harvey with the biggest-ever, career-spanning, cross-label collection of his work. A total of 217 fully remastered tracks (with much of the material from the original master tapes) includes 21 that are previously unreleased, and a further 59 that are appearing officially on CD for the first time.
Nils Lofgren is an American rock musician, recording artist, songwriter, and multi-instrumentalist. Along with his work as a solo artist, he has been a member of Bruce Springsteen's E Street Band since 1984, a member of Crazy Horse (1970–1971; 1973; 2018-present), and founder/frontman of the band Grin. Lofgren was inducted into the Rock and Roll Hall of Fame as a member of the E Street Band in 2014. Before he was under the wing of Neil Young and before he made a series of underappreciated solo albums, guitarist Nils Lofgren formed Grin, a trio that was devoted to simple, basic rock & roll, in 1969. None of Grin's albums were commercially successful – they only received good reviews, not sales – but each showed a promising, dynamic group. Unfortunately, the group never fulfilled its potential, but the finest of its albums featured some terse, brilliant guitar from Lofgren that ranks with the best of his later work.