Lossless Rondo Veneziano

An Italian chamber orchestra, Rondó Veneziano set itself apart from many groups of similar style by not only employing mostly women musicians and making it a rule to perform in period Baroque dress, but mainly because they were able to meld traditional chamber music pieces to modern backing tracks, rhythms, and percussion lines, almost giving their classical sound a club music foundation that sometimes bordered on prog rock. Their first big break came in the United Kingdom in 1983, with the single "La Serenissima," which was followed two years later by a successful appearance providing the score to the film Not Quite Jerusalem. Their first album, a self-titled affair, was released in 1980, and was followed by more than 70 albums over the next (nearly) 30 years.

An Italian chamber orchestra, Rondó Veneziano set itself apart from many groups of similar style by not only employing mostly women musicians and making it a rule to perform in period Baroque dress, but mainly because they were able to meld traditional chamber music pieces to modern backing tracks, rhythms, and percussion lines, almost giving their classical sound a club music foundation that sometimes bordered on prog rock. Their first big break came in the United Kingdom in 1983, with the single "La Serenissima," which was followed two years later by a successful appearance providing the score to the film Not Quite Jerusalem. Their first album, a self-titled affair, was released in 1980, and was followed by more than 70 albums over the next (nearly) 30 years. In 2005, the group released a live collection entitled 25 Live.

An Italian chamber orchestra, Rondó Veneziano set itself apart from many groups of similar style by not only employing mostly women musicians and making it a rule to perform in period Baroque dress, but mainly because they were able to meld traditional chamber music pieces to modern backing tracks, rhythms, and percussion lines, almost giving their classical sound a club music foundation that sometimes bordered on prog rock. Their first big break came in the United Kingdom in 1983, with the single "La Serenissima," which was followed two years later by a successful appearance providing the score to the film Not Quite Jerusalem. Their first album, a self-titled affair, was released in 1980, and was followed by more than 70 albums over the next (nearly) 30 years. In 2005, the group released a live collection entitled 25 Live.

This is beautiful music, based on classical sounds but with a modern flare…

Rondò Veneziano is an Italian chamber orchestra, specializing in Baroque music, playing original instruments, but incorporating a rock-style rhythm section of synthesizer, bass guitar and drums, led by Maestro Gian Piero Reverberi, who is also the principal composer of all of the original Rondò Veneziano pieces. The unusual addition of modern instruments, more suitable for Jazz, combined with Reverberi's arrangements and original compositions, have resulted in lavish novel versions of classical works over the years. As a rule in their concert tours, the musicians, mostly women, add to the overall Baroque effect wearing Baroque-era attires and coiffures.

Rondo Veneziano is an Italian chamber orchestra, specializing in Baroque music, playing original instruments, but incorporating a rock-style rhythm section of synthesizer, bass guitar and drums, led by Maestro Gian Piero Reverberi, who is also the principal composer of all of the original Rondo Veneziano pieces. The unusual addition of modern instruments, more suitable for Jazz, combined with Reverberi's arrangements and original compositions, have resulted in lavish novel versions of classical works over the years. As a rule in their concert tours, the musicians, mostly women, add to the overall Baroque effect wearing Baroque-era attires and coiffures.

I Love Disco features some the biggest names including F.R. David, Donna Summer, A-ha, Debbie Harry, Eurythmics and Eartha Kitt to name a few. This albums is guaranteed to get you strutting your funky stuff this festive season.

The idea for this album came about during the recording of its predecessor Cinema Suites (BBC Music Magazine’s “Screen Choice”, Album of the Week on WDR3 etc.), when the Morricone family sent Marco Serino a number of rarities that they hoped could also be recorded, particularly “Dedicated to Maria” (from the film The Sleeping Wife ) that the composer had dedicated to his wife. These works, along with others that Serino rediscovered in his own archives, make up the backbone of Cinema Rarities , an ideal sequel to the previous recording. After twenty years as Ennio Morricone’s chosen violinist, Serino continues his exploration of the compositions for violin and orchestra, but this time with a particular focus on pieces that, besides being less well known to the wider public, all share a degree of “Italianness”.