Established in 1967 at the height of their powers, The Beatles’ Apple operation saw the group embrace and encourage a wealth of contemporary musical talent, offering studio time and demo facilities alongside recording and publishing contracts. This unique opportunity attracted artists and songwriters from across the musical spectrum, and GOOD AS GOLD presents a snapshot of that talent, spanning the years 1967 to 1975. From the psychedelic tinged sounds of the mid-late 1960s onwards, the label matured and evolved alongside its audience and remains as compelling today as it did during those halcyon days.
This new 2-CD set of 1967 studio and live recordings of Sonny Rollins is given first class treatment with interviews, detailed histories, and commentaries with photographs in an included 98-page booklet. Discovered poorly labeled in the Dutch Jazz Archives, these performances are fiery and powerful. His Dutch bassist Ruud Jacobs and drummer Han Bennink, who while accomplished, wondered how they would manage, yet they met the challenge brilliantly; Rollins gave them plenty of opportunity to solo and explore. Rollin's himself at age 89 had a hand in the production with Zev Feldman, and his interview is included. Aidan Levy, Rollin's biographer, provided notes and full analysis of each tune. Comments on the choice of saxophone manufacturer and mouthpieces were interesting and unusual.
Less a summit meeting of two bluesmen from different continents than a cozy, loose musical conversation between friends who share similar interests, Visions is a low-key but poignant album whose charms grow stronger as it progresses. American soul/roots singer/songwriter Terry Evans is probably better known through his background singing for Ry Cooder and a few Cooder produced releases with fellow vocalist Bobby King than his impressive solo recordings. Hans Theessink, who is also a singing, songwriting guitarist (he blows harp here as well), hails from the Netherlands and is well known in Europe for a bulging collection of solo discs dating back to 1970. Both push the boundaries of soul, blues, gospel, and roots music and have worked extensively together in the past. This 2008 collaboration finds the duo joining with percussionist Phil Block and Richard Thompson (on electric guitar for two tracks)…