This new 2-CD set of 1967 studio and live recordings of Sonny Rollins is given first class treatment with interviews, detailed histories, and commentaries with photographs in an included 98-page booklet. Discovered poorly labeled in the Dutch Jazz Archives, these performances are fiery and powerful. His Dutch bassist Ruud Jacobs and drummer Han Bennink, who while accomplished, wondered how they would manage, yet they met the challenge brilliantly; Rollins gave them plenty of opportunity to solo and explore. Rollin's himself at age 89 had a hand in the production with Zev Feldman, and his interview is included. Aidan Levy, Rollin's biographer, provided notes and full analysis of each tune. Comments on the choice of saxophone manufacturer and mouthpieces were interesting and unusual.
The well of undiscovered material never seems to dry up, even nine years after the death of Tejano queen Selena. Momentos Intimos features the usual hodge-podge of English and Spanish hits ("Amor Prohibido," "Dreaming of You," "No Me Queda Mas"), but it is notable for two newly orchestrated tracks and an unreleased demo recording. Lilting string arrangements and lush horns accentuate "Como Te Quiero Yo A Ti" and "No Llores Mas Corazon," which were obviously recorded early in Selena's career. Still, her mature and nuanced interpretation on both tracks is an unexpected delight. It is "Puede Ser," however, that will attract the most listener interest. The pop-rock tune was reportedly recorded days before Selena's death in her home studio. Even in this unrehearsed demo, Selena's soulful delivery seems effortless and serves as another reminder of her natural talent. With a slightly sharper musical arrangement, "Puede Ser" could have become Selena's latest chart-topper. The album also features spoken liner notes by Selena's family–a bittersweet collection of memories and humorous moments. –Joey Guerra
Less a summit meeting of two bluesmen from different continents than a cozy, loose musical conversation between friends who share similar interests, Visions is a low-key but poignant album whose charms grow stronger as it progresses. American soul/roots singer/songwriter Terry Evans is probably better known through his background singing for Ry Cooder and a few Cooder produced releases with fellow vocalist Bobby King than his impressive solo recordings. Hans Theessink, who is also a singing, songwriting guitarist (he blows harp here as well), hails from the Netherlands and is well known in Europe for a bulging collection of solo discs dating back to 1970. Both push the boundaries of soul, blues, gospel, and roots music and have worked extensively together in the past. This 2008 collaboration finds the duo joining with percussionist Phil Block and Richard Thompson (on electric guitar for two tracks)…