Lyrics: Early in The Morning

Comping on guitar and piano, West Coast bluesman J.J. Malone displays his chops for traditional blues as well as more modern forms on his second album for Fedora. John Jacob (J.J.) Malone (August 20, 1935 – February 20, 2004) was an American West Coast blues, electric blues and soul blues guitarist, singer and keyboardist. His best-known recordings were "It's a Shame" and "Danger Zone". Malone was a member of the Rhythm Rockers, and he variously worked with other musicians, such as Troyce Key, Jill Baxter, Al Green, Joe Simon, Etta James, Scott McKenzie and Frankie Lee. Malone was born in Pete's Corner, Alabama. He sang in his local church and learned to play the harmonica, guitar and piano.

Three CD set. 2022 instalment of Grapefruit's popular year-by-year overviews of the more melodic end of the early 70s UK progressive rock scene. A four-hour compilation featuring big hits, key album tracks, cult classics and rarities from 1973. 1973 was another significant year in British pop, with the recent arrival of glam inspiring many underground bands to adopt a more streamlined sound. That more song-based approach helped give the 1973 singles chart a new energy, with memorable 45s from Mott The Hoople, Manfred Mann's Earthband, Faces, Status Quo, Medicine Head and Nazareth.

Long overdue expanded edition of the hugely sought-after Lee ‘Scratch’ Perry-produced album from 1973, “Silver Bullets” features the entirety of the Silvertones’ work for the widely acclaimed music maker.

OMD have rarely been as dance-oriented as they are on Liberator, a collection of retro-disco and contemporary '90s club cuts. While it is far from the experimental and edgy synth-pop that earned the group rave reviews in the early '80s, it is an enjoyable, lightweight collection of appealing dance-pop.
Orchestral Manoeuvres in the Dark are one of the earliest, most commercially successful, and enduring synth pop groups. Inspired most by the advancements of Kraftwerk and striving at one point "to be ABBA and Stockhausen," they've continually drawn from early electronic music as they've alternately disregarded, mutated, or embraced the conventions of the three-minute pop song.

OMD have rarely been as dance-oriented as they are on Liberator, a collection of retro-disco and contemporary '90s club cuts. While it is far from the experimental and edgy synth-pop that earned the group rave reviews in the early '80s, it is an enjoyable, lightweight collection of appealing dance-pop.
Orchestral Manoeuvres in the Dark are one of the earliest, most commercially successful, and enduring synth pop groups. Inspired most by the advancements of Kraftwerk and striving at one point "to be ABBA and Stockhausen," they've continually drawn from early electronic music as they've alternately disregarded, mutated, or embraced the conventions of the three-minute pop song.