The Manchester, England-based trio M People scored in 1994 with a series of British Top Ten hits from its debut album Elegant Slumming; both "Moving on Up" and "One Night in Heaven" became U.S. dance club smashes, thanks to an endearing mixture of house and R&B, and Heather Small's startling vocal presence. Fortunately, M People did not suffer the dreaded sophomore slump; the 1995 release Bizarre Fruit continues in much the same vein as its predecessor. Bizarre Fruit is chock-full of funky house grooves, and Small's deep, soulful vocals add just the right touch to the mix, making M People considerably warmer than most contemporary dance acts.
Kalimba de Luna – 16 Happy Songs is a compilation album by Boney M. released in late 1984. On the strength of two carbon-copy cover versions, "Kalimba de Luna" (Germany #17, 22 weeks - originally by Tony Esposito) and "Happy Song" (Germany #7, 16 weeks - original version by Baby's Gang) which gave Boney M. their first Top 20 hits in Germany in three years, this compilation was rush-released in November 1984…
From their earliest days as a band, the members of R.E.M. always had a Keen sense of how they wanted to be perceived visually, even when it sometimes seemed as if they didn’t want to be seen at all…
Celebrating the 25th anniversary of R.E.M.'s tenth studio album. This Deluxe 2-CD/1-Blu-ray offers a trove of content, including the remastered album, B-sides and rarities, a previously unreleased outdoor projection film, and EPK…
Richard M. Jones was more important as a talent scout and an organizer of bands than as a pianist. This Classics CD features Jones as a soloist on two numbers from 1923 ("Jazzin' Babies Blues" and "12th Street Rag"); with the Chicago Hottentots backing the mediocre singer Lillie Delk Christian; playing with Nelson's Paramount Serenaders and Hightower's Night Hawks; and leading his own Jazz Wizards. Among the other players are clarinetist Albert Nicholas, banjoist Johnny St. Cyr, cornetist Shirley Clay, and trombonist Preston Jackson. Although the music is generally not all that classic, this formerly rare material has its strong moments and gives one a good example of middle-of-the-road Chicago jazz of the mid-'20s.