Mac Id3

Lakeshore Records presents Mr. Robot - USA Network's Golden Globe, Emmy Award-Winning Series.
"Elliot uses programming and social engineering techniques to seek and exploit weakness in computer networks, and I use programming and sonic engineering techniques to help enhance the emotional content of each scene," said Mac Quayle. "Armed with our computers and an arsenal of software tools, we both attempt to create and discover the right combination of notes (code) and sounds (keystrokes) that help tell the story (access the network)."
"For this soundtrack, the idea was to include as much music as possible from Season 1 and organize it chronologically by episode," Quayle described. He used an almost all electronic palette for the show, adding only one organic instrument - a piano…

Fleetwood Mac was at the top of its game in August 1977 when the band returned to its adopted home in Southern California to play three shows at The Forum in Los Angeles. Rumours had only been out a few weeks when the band left in February to tour the world, returning six months later to play three shows at The Forum for nearly 50,000 fans.

There's a certain relief that this 2009 Rhino reissue of 2002's double-disc set The Very Best of Fleetwood Mac doesn't even attempt to dabble in the early blues work of the Peter Green band, and treats the addition of Lindsey Buckingham and Stevie Nicks as ground zero. The two eras of the band don't sit well together, and it's best to isolate them, since those who want the hits don't need to hear the blues. Here, it's the prime of the platinum years, with almost all of the big songs in their original hit versions (the one real exception is a live version of "Big Love" from 1997, but most listeners aren't going to be too upset with the substitution).

Live is a double live album released by British-American rock band Fleetwood Mac in 1980. It was the first live album from the then-current line-up of the band, and the next would be The Dance from 1997. The album was certified gold in November 1981. Live consists of recordings taken primarily from the 1979-1980 Tusk Tour, together with a few from the earlier Rumours Tour of 1977. Two songs were recorded at a Paris soundcheck and three at a performance at Santa Monica Civic Auditorium "for an audience of friends and road crew."

Blues Jam In Chicago: Volume 1 — 2004 remastered reissue of 1969 album featuring Otis Spann, Shakey Horton, Honeyboy Edwards, J.T. Brown, Guitar Buddy, S.P. Leary, & Willie Dixon, features 15 tracks including 3 bonus tracks, 'Red Hot Jam' (Take 1), 'Bobby's Rock', & 'Horton's Boogie Woogie' (Take 1). Blues Jam In Chicago: Volume 2 — 2004 remastered reissue of 1970 album featuring Otis Spann, J.T. Brown, Honeyboy Edwards, J.P. Leary & Willie Dixon, features 18 tracks including 7 bonus tracks, 'My Baby's Gone', 'Sugar Mama' (Take 1), 'Honey Boy Blues', 'I Need Your Love' (Take 1), 'Horton's Boogie Woogie' (Take 2), 'Have A Good Time', 'That's Wrong', & 'Rock Me Baby'. Both editions includes expanded booklets with detailed notes & photos.

More than any other Fleetwood Mac album, Tusk is born of a particular time and place – it could only have been created in the aftermath of Rumours, which shattered sales records, which in turn gave the group a blank check for its next album. But if they were falling apart during the making of Rumours, they were officially broken and shattered during the making of Tusk, and that disconnect between bandmembers resulted in a sprawling, incoherent, and utterly brilliant 20-track double album…

While Fleetwood Mac didn't invent "the British blues," they were certainly one of the early bands to master the form. This 30-track, double-disc anthology contains everything one would expect from the Peter Green and Jeremy Spencer-fronted blues-rock juggernaut…

Here are two discs culled from the original four-disc box on Warner documenting Fleetwood Mac's first 25 years…