A substantial (and official) supplement to the band's recorded legacy with Peter Green, this double CD features 36 songs broadcast between 1967 and 1971, in mostly superlative sound. The title, though, isn't 100 percent accurate; half a dozen tracks were recorded shortly after Green left the band, and since Green is still listed as part of the lineup for all but one of these in the liner notes, Castle Communications either has the dates or personnel wrong…
Mac Rebennack, who would gain fame under the pseudonym Dr. John, had become a valued composer, as well as a skilled keybordist and guitarist by his late teens. He played with bands in his home ity of New Orleans, cooking up a gumbo of rhythm & blues, boogie, and rock & roll peppered with unleashed horns and a Creole flavor. His work was influenced greatly by pianist/songwriter Professor Longhair, who is regarded as a trailblazing pioneer of New Orleans-style R&B.
It's unfair to say that Fleetwood Mac had no pop pretensions prior to the addition of Lindsey Buckingham and Stevie Nicks to the lineup in 1975. When they were led by Bob Welch they often flirted with pop, even recording the first version of the unabashedly smooth and sappy "Sentimental Lady," which would later be one of the defining soft rock hits of the late '70s…
As far as odds and ends packages go, Original Fleetwood Mac (1971) is an undeniably strong collection culled primarily from the band's first incarnation, featuring John McVie (bass/guitar), Mick Fleetwood (drums), Peter Green (guitar/vocals), and Jeremy Spencer (guitar/piano/vocals). As evidenced by the material, this quartet are an unmistakably blues-based combo. Early on they distinguished themselves as not only interpreters of traditional fare, but skilled composers, especially Green, who penned the vast majority of these selections…
While most bands undergo a number of changes over the course of their careers, few groups experienced such radical stylistic changes as Fleetwood Mac. Initially conceived as a hard-edged British blues combo in the late '60s, the band gradually evolved into a polished pop/rock act over the course of a decade…
Lakeshore Records presents Mr. Robot - USA Network's Golden Globe, Emmy Award-Winning Series.
"Elliot uses programming and social engineering techniques to seek and exploit weakness in computer networks, and I use programming and sonic engineering techniques to help enhance the emotional content of each scene," said Mac Quayle. "Armed with our computers and an arsenal of software tools, we both attempt to create and discover the right combination of notes (code) and sounds (keystrokes) that help tell the story (access the network)."
"For this soundtrack, the idea was to include as much music as possible from Season 1 and organize it chronologically by episode," Quayle described. He used an almost all electronic palette for the show, adding only one organic instrument - a piano…
Though they ultimately made their name as a blues-rock band, and Peter Green's admiration of artists like Jerry Garcia eventually found its way into their music, Fleetwood Mac began as a straight-ahead blues band. A bunch of Brits devoted to the music of Chicago and the Delta, Green and company couldn't help but put their own twist on the blues, but they were simultaneously reverential towards it. This is the situation presented in this 1968 live recording. While the sound quality is less than stellar, it's good enough to make the guitar talents of Green and Jeremy Spencer obvious, as they work up effective solos over "Got To Move," "Vuzz Me" and others. Unlike their peers, who used blues as a vehicle to something larger and louder, Mac circa '68 stuck close to their roots and made it work. The live setting proved even more inspiring for the two guitarists, whose blistering lead work is the central focus throughout this album.
At this point, the band was best-known as a British blues unit. Slowly but surely the band was becoming more acclimated with a production style that was reminiscent of the California pop sound. With the majority of the blues and psychedelic behind them, Mystery to Me finds Fleetwood Mac in a more ruminative vein…