Mac Id3

More than any other Fleetwood Mac album, Tusk is born of a particular time and place – it could only have been created in the aftermath of Rumours, which shattered sales records, which in turn gave the group a blank check for its next album. But if they were falling apart during the making of Rumours, they were officially broken and shattered during the making of Tusk, and that disconnect between bandmembers resulted in a sprawling, incoherent, and utterly brilliant 20-track double album…

While Fleetwood Mac didn't invent "the British blues," they were certainly one of the early bands to master the form. This 30-track, double-disc anthology contains everything one would expect from the Peter Green and Jeremy Spencer-fronted blues-rock juggernaut…

Best Buy Presents Collector's 2 CD Set: Fleetwood Mac - Tour 97. Comes with a 34 page booklet with bios on each artist. Promo.

A substantial (and official) supplement to the band's recorded legacy with Peter Green, this double CD features 36 songs broadcast between 1967 and 1971, in mostly superlative sound. The title, though, isn't 100 percent accurate; half a dozen tracks were recorded shortly after Green left the band, and since Green is still listed as part of the lineup for all but one of these in the liner notes, Castle Communications either has the dates or personnel wrong…

2CD set featuring the very best of the legendary 1970 Boston Tea Party gigs from a band at the height of it powers. Featuring 'Black Magic Woman', 'Rattlesnake Shake' and 'Oh Well', 'Jumping at Shadows', 'World in Harmony'…

Mac Rebennack, who would gain fame under the pseudonym Dr. John, had become a valued composer, as well as a skilled keybordist and guitarist by his late teens. He played with bands in his home ity of New Orleans, cooking up a gumbo of rhythm & blues, boogie, and rock & roll peppered with unleashed horns and a Creole flavor. His work was influenced greatly by pianist/songwriter Professor Longhair, who is regarded as a trailblazing pioneer of New Orleans-style R&B.

Though they ultimately made their name as a blues-rock band, and Peter Green's admiration of artists like Jerry Garcia eventually found its way into their music, Fleetwood Mac began as a straight-ahead blues band. A bunch of Brits devoted to the music of Chicago and the Delta, Green and company couldn't help but put their own twist on the blues, but they were simultaneously reverential towards it. This is the situation presented in this 1968 live recording. While the sound quality is less than stellar, it's good enough to make the guitar talents of Green and Jeremy Spencer obvious, as they work up effective solos over "Got To Move," "Vuzz Me" and others. Unlike their peers, who used blues as a vehicle to something larger and louder, Mac circa '68 stuck close to their roots and made it work. The live setting proved even more inspiring for the two guitarists, whose blistering lead work is the central focus throughout this album.

While most bands undergo a number of changes over the course of their careers, few groups experienced such radical stylistic changes as Fleetwood Mac. Initially conceived as a hard-edged British blues combo in the late '60s, the band gradually evolved into a polished pop/rock act over the course of a decade…