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Rickie Lee Jones' Pirates arrives like a cloudburst in the desert of Eighties formula pop music and recycled heavy-metal rock”. So wrote Stephen Holden in Rolling Stone in his five-star review of the eclectic artist's sophomore record, a 1981 set that continues to defy eras and styles.

Nefertiti is a studio album by American jazz musician Miles Davis, released in March 1968. Recorded on June 7, June 22–23 and July 19, 1967, at Columbia's 30th Street Studio, the album was Davis' last fully acoustic album. Davis himself did not contribute any compositions, which were mostly written by Herbie Hancock and Wayne Shorter.

The trashed hotel room and communal living depicted on the cover of the J. Geils Band's sophomore album tell you all you need know about the music, spirit, and energy spilling from within The Morning After. Shot through with raw, lean Rock n' Roll sparked by juke-joint blues and loose rhythms, the 1971 set comes on like the most fun, party-still-raging hangover any group in the 70s enjoyed. And now it rolls with an abandon that takes you inside the sweaty, smoky roadhouses and wall-to-wall-packed clubs the group dominated in its heyday. Spirited, Blues-Driven Rock n' Roll Comes on Like a Never-Ending Party: features ace performances by harmonica player Magic Dick Salwitz and vocalist Peter Wolf.

Let's Get It On is the thirteenth studio album by American soul singer, songwriter, and producer Marvin Gaye. It was originally released on August 28, 1973 by the Motown Records subsidiary label Tamla. Recording sessions for the album took place during June 1970 to July 1973 at Hitsville U.S.A. and Golden World Studio in Detroit, and at Hitsville West in Los Angeles. Serving as Gaye's first venture into the funk genre and romance-themed music, Let's Get It On incorporates smooth soul, doo-wop, and quiet storm. It has been noted by critics for its sexually suggestive lyrics, and was cited by one writer as "one of the most sexually charged albums ever recorded".

Mastered on Mobile Fidelity's world-renowned mastering system, this hybrid SACD presents Heart Like a Wheel with astounding clarity, depth, and naturalism. Still the most difficult instrument to accurately capture, the female voice is here conveyed with transfixing realism, warmth, and feeling. The inner beauty of Ronstadt's flawless phrasing and passionate inflections bears out with obvious candor, her tonality and emotiveness pouring through every lyric and wordless expression.

Filles de Kilimanjaro (French for "Girls of Kilimanjaro") is a studio album by American jazz trumpeter Miles Davis. It was recorded in June and September 1968. The album is a transitional work for Davis, who was shifting stylistically from acoustic recordings with his second "great" quintet to his "electric" period. Filles de Kilimanjaro was well received by contemporary music critics, who viewed it as a significant release in modern jazz.

Miles in the Sky is a studio album by American trumpeter and composer Miles Davis, originally released on July 22, 1968, by Columbia Records. It was the last full album recorded by Davis' "Second Great Quintet" and marked the beginning of his foray into jazz fusion, with Herbie Hancock playing electric piano and Ron Carter playing electric bass guitar on opening track “Stuff”. Additionally, electric guitarist George Benson features on “Paraphernalia”.

On the Corner is a studio album by American jazz trumpeter, bandleader, and composer Miles Davis. It was recorded in June and July 1972 and originally released on October 11 of the same year by Columbia Records. The album continued Davis's exploration of jazz fusion, and explicitly drew on the influence of funk musicians Sly Stone and James Brown, the experimental music of Karlheinz Stockhausen, ideas by composer Paul Buckmaster, and the free jazz of Ornette Coleman.

Miles in the Sky is a studio album by American trumpeter and composer Miles Davis, originally released on July 22, 1968, by Columbia Records. It was the last full album recorded by Davis' "Second Great Quintet" and marked the beginning of his foray into jazz fusion, with Herbie Hancock playing electric piano and Ron Carter playing electric bass guitar on opening track “Stuff”. Additionally, electric guitarist George Benson features on “Paraphernalia”.

Kiko is the ninth album by the Mexican American rock group Los Lobos. A year later, Los Lobos performed a spoof of their song "Kiko and the Lavender Moon" known as "Elmo and the Lavender Moon" on the PBS series Sesame Street.