Movie Upside Down

REBELLION! The political and cultural tumult of the early 1960s shook Japan as it did the rest of the world. Japanese filmmakers responded to the changing times by disguising themes of dissent in the traditional form of the swordplay film, or chanbara. Previously populated by heroic samurai, self-sacrificing ronin, and historical figures who exemplified noble Japanese virtues, the genre began embracing a new kind of hero, or antihero: the lone outcast, distrustful of authority but maintaining a personal code of honor. These four classic films, from four masters of Japanese cinema, turn a genre upside down, redefining for a modern generation the meaning of loyalty and honor, as embodied by the iconic figure of the samurai.

Lo and behold, Clerks II defies the odds as a sequel that even the most ardent Clerks fans can be happy about. Twelve years after Kevin Smith turned the independent film world upside-down with his $27,000 black-and-white comedy, perpetual slackers Dante (Brian O'Halloran) and Randal (Jeff Anderson) return for another raucous romp in suburbia, but this time there's no beloved Quick Stop mini-mart to ensure their low-level employment.

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Things couldn't be better for Samuel and Nadia: he will soon be a nurse and she is expecting her first child. But their world is tipped upside down when Nadia is kidnapped in front Samuel's very eyes and he's incapable of doing anything about it. When he comes to, his cellphone rings: he has three hours to get a man, under police surveillance, out of the hospital where he works. Samuel's destiny is henceforth linked to that of Sartet, a gangster figure actively wanted by every branch of the police. If Samuel ever wants to see his wife alive again, he must act quickly…

When Leena, a 34 year-old woman of Finnish origin living in Stockholm with her husband and two daughters, receives a phone call informing her of her mother's death in Ystad, her troubled past as a young girl raised by alcoholic parents comes back to haunt her.

This CD is obviously "Out in Hollywood" Vol.2 but there is much more here. 26 tracks, over 70 minutes, and this time the treat of eavesdropping on Elvis and the band working out the songs. But above all the real is the BRILLIANT audio quality.
For me the highlights are the rediscovered tapes of Viva Las Vegas plus the delicious Kid Galahad songs but there's so much more … and it's perfect for an Australian Summer afternoon. The first 3 tracks are in Binaural Stereo and as soon as D.J's drum kicks the beat in on 'Loving You' you can immediately notice the great sound. However it is the second track 'Jailhouse Rock' Tk5 that is the first highlight. As soon as Elvis says "We've gotta get this thing goin' " before the explosive start, you know that Ernst is going to let us hear a little more than just the songs. A dynamite sound, with less echo, this version is outstanding. "Just a little too fast" they say at the end, but it's sensational just the same! The Master was next.

Ron Burgundy is the top-rated anchorman in San Diego in the '70s. When feminism marches into the newsroom in the form of ambitious newswoman Veronica Corningstone, Ron is willing to play along at first-as long as Veronica stays in her place, covering cat fashion shows, cooking, and other "female" interests. But when Veronica refuses to settle for being eye candy and steps behind the news desk, it's more than a battle between two perfectly coiffed anchor-persons… it's war.

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Set in Mississippi during the 1960s, Skeeter (Stone) is a southern society girl who returns from college determined to become a writer, but turns her friends' lives - and a Mississippi town - upside down when she decides to interview the black women who have spent their lives taking care of prominent southern families. Aibileen (Davis), Skeeter's best friend's housekeeper, is the first to open up - to the dismay of her friends in the tight-knit black community. Despite Skeeter's life-long friendships hanging in the balance, she and Aibileen continue their collaboration and soon more women come forward to tell their stories - and as it turns out, they have a lot to say. Along the way, unlikely friendships are forged and a new sisterhood emerges, but not before everyone in town has a thing or two to say themselves when they become unwittingly - and unwillingly - caught up in the changing times.