Earth, Wind & Fire were one of the most musically accomplished, critically acclaimed, and commercially popular funk bands of the '70s. Conceived by drummer, bandleader, songwriter, kalimba player, and occasional vocalist Maurice White, EWF's all-encompassing musical vision used funk as its foundation, but also incorporated jazz, smooth soul, gospel, pop, rock & roll, psychedelia, blues, folk, African music, and, later on, disco. Cardboard sleeve (mini LP) reissue from Earth Wind & Fire featuring the high-fidelity Blu-spec CD format (compatible with standard CD players) and DSD mastering (subject to change). Comes with a reprint of the Japanese edition LP obi, a new description, and lyrics. Part of a 15-album Earth Wind & Fire Blu-spec CD cardboard sleeve reissue series featuring albums "Last Days And Time," "Head To The Sky," "Open Our Eyes," "That's The Way Of The World," "Gratitude," "Spirit," "All 'N All," "The Best Of Earth, Wind & Fire Vol.1," "I Am," "Faces," "Raise!," "Powerlight," "Electric Universe," "Touch The World," and "Heritage."
Cardboard sleeve (mini LP) reissue from Kiss. This is an encore pressing of the product released on September 24, 2008. Part of a 21-album Kiss cardboard sleeve reissue series featuring "Kiss," "Hotter Than Hell," "Dressed To Kill," "Alive!," "Destroyer," "Rock And Roll Over," "Love Gun," "Alive II," "Double Platinum," "Dynasty," "Kiss Unmasked," "Music From The Elder," "Creatures Of The Night," "Lick It Up," "Animalize," "Asylum," "Crazy Nights," "Paul Stanley," "Gene Simmons," "Ace Frehley," and "Peter Criss."
James Brown and His Famous Flames scored an R&B Top Ten hit in 1956 with "Please, Please, Please," but Brown's next nine singles for Federal Records flopped. It was the next, "Try Me," his third single of 1958, that finally scored. That was when King Records (Federal's parent label) assembled this, Brown's debut album, out of some of those singles sessions.
Dark and heavy prog band from Italy & Slovenia which inspires their music on the old silent horror movies. DEVIL DOLL's music has been described as "an elaborate and bombastic collision of styles" and "a perverse, yet brilliant soundscape of some forbidden netherworld"…