Make It Mini

Universally hailed as the reigning king of the blues, the legendary B.B. King is without a doubt the single most important electric guitarist of the last half century…

Traffic - 10 Album Collection (1967-1974) {2008 10CD Set SHM-CD Universal Japan Mini LP Remaster UICY-93640~49}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 3.27 Gb | MP3 @320 -> 1.50 Gb
Full Artwork @ 300 dpi (png) -> 414 Mb (inside) | 5% repair rar
© 1967-74, 2008 Island / Universal Music Japan | UICY-93640~49 | SHM-CD | Mini LP
Rock / Art Rock / Prog Rock / Psychedelic Rock

Cardboard sleeve (mini LP) reissue from Traffic featuring the high-fidelity SHM-CD format (fully compatible with standard CD players). Part of a ten-album Traffic SHM-CD Cardboard sleeve (mini LP) reissue series featuring the albums "Mr. Fantasy," "Heaven is in Your Mind," "Traffic," "Last Exit," "John Barleycorn Must Die," "Welcome To The Canteen," "THe Low Spark of High Heeled Boys," "Shoot Out at the Fantasy Factory," "On The Road," and "When The Eagle Flies." Since Traffic's debut album, Mr. Fantasy, has been issued in different configurations over the years, a history of those differences is in order. In 1967, the British record industry considered albums and singles separate entities; thus, Mr. Fantasy did not contain the group's three previous Top Ten U.K. hits. Just as the album was being released in the U.K., Traffic split from Dave Mason.

Cardboard sleeve (mini LP) reissue from Dionne Warwick featuring 2013 remastering. The cardboard sleeve faithfully replicates the US original LP artwork and label. Includes stereo tracks and single version(s) (mono). Contains lyrics.

Charles Mingus - 7 Atlantic Album Collection (1957-61) [7CD] {2007 Japan Mini LP Remaster}
EAC rip (secure mode) | FLAC(tracks)+CUE+LOG -> 2.29 Gb | MP3 @320 -> 886 Mb
Full Artwork @ 300 dpi (jpg) -> 144 Mb
© 2007 Atlantic / Warner Music Japan | WPCR-25143~49 | 24-bit remaster
Jazz / Post Bop / Bass

Pithecanthropus Erectus was Charles Mingus' breakthrough as a leader, the album where he established himself as a composer of boundless imagination and a fresh new voice that, despite his ambitiously modern concepts, was firmly grounded in jazz tradition. Mingus truly discovered himself after mastering the vocabularies of bop and swing, and with Pithecanthropus Erectus he began seeking new ways to increase the evocative power of the art form and challenge his musicians (who here include altoist Jackie McLean and pianist Mal Waldron) to work outside of convention.