Make It Nice

Lefty Dizz had a great reputation amongst those in the know but had rarely left Chicago. So, when a UK tour was planned, a proven formula was used: get the record made in Chicago, use it to secure tour dates, then use the tour to promote the album. So this wonderful record was made - Blues of great depth and passion - raw and powerful. And Carey Bell and his sons were on hand to supply the tightest of support.

Follow-up volumes appeared in 1993 and 1996, extending the time period to 1979 and with additional songs from the 1972-76 period, available on cassette or CD (ALL 25 volumes were issued in both formats). Each volume has twelve songs. Despite the greater capacity of compact discs, the running time of each of the volumes is no longer than the limit of vinyl records in the 1970s, from 38 to 45 minutes long.

Frank Rosolino - Let's Make It (2008) {Lone Hill Jazz LHJ10331 rec 1957-1958}
EAC rip (secure mode) | FLAC+CUE+LOG -> 537 Mb | MP3 @320 -> 186 Mb
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© 1957-58, 2008 Lone Hill Jazz | LHJ10331
Jazz / Cool / Bop / Trombone

This 2008 release contains two of legendary trombonist Frank Rosolino's finest quintet sessions. Recorded in the late 1950s, players include Victor Feldman, Stan Levey and Harold Land. Includes comprehensive 12-page booklet stuffed with cracking liner notes, previously unpublished photographs and other essential artist info.

Renowned blues vocalist/harmonica player RJ Mischo gathers together a collection of top-tier talent from Austin, Texas for his Delta Groove debut featuring Nick Curran, Johnny Moeller, Nick Connolly, Ronnie James Weber and Wes Star, in addition to Richard Medek and his old pal Jeremy Johnson, who are also on board for a couple of lowdown songs recorded in St. Paul, Minnesota. Mischo conjures up some big blues and a little rock & roll for a hard-drivin', foot-stompin' good time on an album that consists entirely of 100% self-penned, original material.

Follow-up volumes appeared in 1993 and 1996, extending the time period to 1979 and with additional songs from the 1972-76 period, available on cassette or CD (ALL 25 volumes were issued in both formats). Each volume has twelve songs. Despite the greater capacity of compact discs, the running time of each of the volumes is no longer than the limit of vinyl records in the 1970s, from 38 to 45 minutes long.

Bill Evans Trio & Guests - Live In Nice 1978 (2010) {2CD Set, Jazz Lips Music JL778}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 641 Mb | MP3 @320 -> 278 Mb
Full Artwork @ 600 dpi (png) -> 200 Mb | 5% repair rar
© 1978, 2010 Jazz Lips Music | JL778
Jazz / Post Bop / Modal Music / Piano

This release presents a complete never before released live performance by the great Bill Evans with an unusual trio that never made a studio album (featuring drummer Philly Joe Jones and bassist Marc Johnson). Joining them are Lee Konitz for three amazing quartet tracks, Curtis Fuller (who joins Konitz and the trio for a marvelous quintet version of Lover Man), and Stan Getz and Christian Escoude (who join Fuller and the trio for the finale on All the Things You Are). A rare interview with Evans made right after the Nice concert has also been included on this release, as well as another unissued concert by the same trio taped in Italy a few days later.

In the works for years, the Small Faces 2014 box set Here Come the Nice is unapologetically one for the devoted. Spanning four discs, the first containing newly remastered Immediate mono single mixes from the original masters, the rest rounding up tracking sessions, alternate mixes, backing tracks, Italian versions, live cuts, and other assorted ephemera, the box's allure lies in its packaging…

After returning to the spotlight with Ol' Blue Eyes Is Back, Frank Sinatra continued his comeback with Some Nice Things I've Missed. As the title suggests, the bulk of the album consists of songs that became popular during Sinatra's brief retirement, including hits by Stevie Wonder, Neil Diamond, Jim Croce, and Bread. By and large, the material is adapted for big bands, with a couple of tracks featuring slight contemporary touches, like folky acoustic guitar. The majority of the album is arranged and produced by Don Costa, who must bear some of the blame for the failure of the record. Most of the songs he had to work with were too simple to withstand substantial orchestration and rearrangement, but Costa's charts are overwhelmingly trite and unimaginative, underscoring how unsuited the material is for Sinatra.