Man Of East (2008)

Four-part series about the history of mathematics, presented by Oxford professor Marcus du Sautoy.

This massive 6 CD set was a limited edition of 2000 copies worldwide. This set is the live recordings on two separate nights, 31 December 1969, and 1 January 1970, at the Fillmore East. Set includes 48 tracks and booklet.

Two CD set. A truly unique compilation charting the history of Mike Bloomfield's career covering his work from 1964 to 1974, this set comes complete with interview segments where Bloomfield talks about his life and music and features his work both as a solo artist, his time with The Electric Flag, and his collaborations with Al Kooper, and Nick Gravenities. Also, from the Triumvirate album "It Hurts Me Too" with Dr. John and John Hammond and from The Newport Folk Festival, the amazing "Born In Chicago" with the Paul Butterfield Blues Band. Playing with Bloomfield across this collection we find Mama Cass, Paul Butterfield, Buddy Miles, Elvin Bishop, and Barry Goldberg.

Soul is the sixth studio album by British singer Seal, which was released on 10 November 2008. The album was produced by David Foster, and co-produced, engineered and mixed by Jochem van der Saag. It is made up of cover versions of eleven soul music classics. The album charted within the top 10 in twelve countries. In the United Kingdom, the album charted at number twelve. The album peaked at number thirteen in the United States on the Billboard 200 albums chart.

AllMusic Review by Steve Leggett
While Herman's Hermits will undoubtedly never get the critical respect afforded other British Invasion groups like the Beatles, the Who, the Rolling Stones, or the Kinks, as a group they weren't as silly as most people remember them. OK, maybe they were – certainly when on camera – but they and their producer Mickie Most had the good sense to pick solid songs to cover (the Goffin & King nugget "I'm into Something Good," "Silhouettes," originally done by the Rays, and Sam Cooke's great "Wonderful World"), which allowed them to sustain a hit-making career long past the end of chart action for such rival pop-oriented British Invasion acts as Gerry & the Pacemakers and Billy J. Kramer. This four-disc set covers the Hermits' years with Most (1964 to 1972) about as well as one could in terms of content, representing everything the group did with him, including a brace of rarities, unreleased tracks, and sides that singer Peter Noone recorded with Most as a solo artist on the producer's RAK label. For most Hermits fans, it will seem like too much of a good thing, as all of the group's hits have reappeared numerous times in compilations too ubiquitous to list – but they would be making a terrible mistake to pass up this set. Indeed, if anything, this quadruple-disc set is too much of a great thing, if such a thing is possible (though with one important flaw). And that makes it well worth saving up for.

Formed in December 1975 by Pepé Willie (the former husband of Prince’s cousin), 94 East was the Minneapolis-based funk group in which Prince first came to prominence. Willie was a key player in launching Prince’s career, spotting his many talents and quickly enlisting the young maestro into 94 East (named after Interstate 94 in Minneapolis). These earliest known recordings made with 94 East were recorded between December 1975 and February 1979, with Prince contributing electric guitar, guitars, bass, keyboards, synths, organ, drums, harmony and backing vocals and he is clearly heard on every track. Newly remastered and restored from Pepé Willie’s original tapes by Nick Robbins at Sound Mastering in London.

AllMusic Review by Steve Leggett
While Herman's Hermits will undoubtedly never get the critical respect afforded other British Invasion groups like the Beatles, the Who, the Rolling Stones, or the Kinks, as a group they weren't as silly as most people remember them. OK, maybe they were – certainly when on camera – but they and their producer Mickie Most had the good sense to pick solid songs to cover (the Goffin & King nugget "I'm into Something Good," "Silhouettes," originally done by the Rays, and Sam Cooke's great "Wonderful World"), which allowed them to sustain a hit-making career long past the end of chart action for such rival pop-oriented British Invasion acts as Gerry & the Pacemakers and Billy J. Kramer. This four-disc set covers the Hermits' years with Most (1964 to 1972) about as well as one could in terms of content, representing everything the group did with him, including a brace of rarities, unreleased tracks, and sides that singer Peter Noone recorded with Most as a solo artist on the producer's RAK label. For most Hermits fans, it will seem like too much of a good thing, as all of the group's hits have reappeared numerous times in compilations too ubiquitous to list – but they would be making a terrible mistake to pass up this set. Indeed, if anything, this quadruple-disc set is too much of a great thing, if such a thing is possible (though with one important flaw). And that makes it well worth saving up for.

50 songs and 75 years of musical dreams, schemes and themes drawn from the first series of the highly acclaimed Theme Time Radio Hour with your host, Bob Dylan. This fully authorised release is packaged with a 48 page booklet.
What, I wonder, do we dream of when we dream of Bob Dylan? And, more intriguingly, what does Bob Dylan dream of when he dreams of us? This is what I think: he dreams of a small boy called Robert who lives in a small city, an industrial centre in a rural landscape. It’s a nowhere town that was once called Alice but had its name changed when an enormous hole was dug where its new name used to be. That giant hole was – and still is – the biggest of its kind in the world, an open-cast iron mine.

He fired cannon on his own countrymen, wooed the mistress of a formidable opponent and even threatened the Pope. He was Napoleon, one of the most brilliant and complex figures in history. This absorbing appraisal of his life offers a new perspective of the little man from Corsica, who rose to new heights of power by seizing every brutal, outrageous opportunity in his path. In 1804, Napoleon Bonaparte, a native of Corsica, crowned himself emperor of France, an audacious gesture that illustrated his overweening pride and ruthless ambition.