Percussionist Jim Brock gets first billing on this CD that he co-leads with Van Manakas, but Manakas' guitar is the main solo voice, he contributed all nine originals, and he is largely responsible for the date's success. The music ranges from being classical-oriented to funky to atmospheric, and there is even a slight amount of straight-ahead jazz. Manakas dominates the proceedings and is joined on various selections by Brock (whose colorful sounds from his percussion set uplift the music), keyboardist Gary Marcus, electric bassist Steve Kim, drummer Rick Dior, Phil Thompson on reeds, and Alan Kaufman on accordion. This intriguing set is worth giving a few listens to.
It’s now been over forty years since the release of the first two Roxy Music albums. Unlike almost all other art-rock records, these two would still be perceived as startlingly unique even if released today. The combination of singer/songwriter Bryan Ferry and non-musician extraordinaire Eno’s otherworldly contributions created a sound like no other. Persona-wise, the 6’2″ Ferry projected a so-cool image as a retro-ized strangeoid with a smashingly singular vocal delivery including quivering, foppy elements mixed with a rich baritone.
These 24-carat gold CD, characterized by exceptionally clear record. This is the result of the use and NoNOISE "SASS" (Sound Analysis and Synthesis System).
Keb' Mo' and Taj Mahal have been friends and colleagues for years but 2017's TajMo is the first time the pair have recorded an album. It also marks the first time Taj Mahal has entered a studio since 2008 – Keb' Mo' last released an album in 2014 – and if this seems like it should be a momentous occasion, what's striking about TajMo is how casual the whole affair is. The duo designed TajMo to be an upbeat, life-affirming listen, something that emphasizes how the blues can also offer a good time.