Marvin Gaye Sacd

More Stuff is the title of the second full-length studio release by the group Stuff. It was released in 1977, a year after their debut, on Warner Bros. Records. For the recordings, the group teamed up with Charles Kipps and Van McCoy, who by then had a disco hit with a song called "The Hustle". The band also covers the Stevie Wonder song "As", which appeared on his Songs in the Key of Life disc from the same year. More Stuff, like its predecessor, attained gold status in the U.S.

I Want You sees Vanessa Fernandez return to the '70s R&B classics and modern soul catalog that was delivered so very well on "Use Me" but with the addition of more recent hits from the likes of Radiohead and Amy Winehouse. Her third session for Groove Note features a collection of classic and old school soul and R&B classics with more recent songs included in the mix. Fernandez covers artists that include Curtis Mayfield, Marvin Gaye, Michael Jackson, Gloria Gayner, Amy Winehouse, Hall & Oates, Radiohead and more!

Rock-solid work from One For All, easily one of the greatest straight jazz combos going, thanks to some tremendous tenor work from Eric Alexander, sweet piano work from David Hazeltine, and snapping rhythms from drummer Joe Farnsworth. The sextet also features Jim Rotondi on trumpet, Steve Davis on trombone, and John Webber on bass, all working here at the height of their powers, and also coming across with a bit more sharpness and soul than even other recent sessions on the Venus label. Arrangements are by all members of the group; the tunes are long and roll out beautifully with a solidly soulful feel — no surprise, given that most of them are covers of classic soul tunes from the '70s.

Rory Gallagher is the man who, without question, spearheaded the entire Irish Rock and Blues movement. More than that, he has had a significant influence on scores of musicians everywhere and has legions of loyal fans around the world to this day, despite his untimely death on June 14th, 1995.

As influential in its own way as early '70s efforts by Sly and the Family Stone, Stevie Wonder, Curtis Mayfield, and Marvin Gaye, the Isley Brothers' 3+3 took black music to the next level. Combining frontline vocalists O'Kelly, Ronald, and Rudolph with the instrumental chops of younger brothers Ernie and Marvin, plus brother-in-law Chris Jasper, the group broke out with the smoking single "That Lady," featuring Ernie's Hendrixian guitar. They followed it up with some soulful reworkings of rock songs of the moment (which, as luck would have it, all turned into certified classics), including the Doobie Brothers' "Listen to the Music," Seals and Crofts's "Summer Breeze," and James Taylor's "Don't Let Me Be Lonely Tonight." It's hard to imagine now how daring a strategy that was at the time, but the results sounds as fine today as ever.

It's Like This is an album by American singer/songwriter Rickie Lee Jones, released in 2000. Like her 1991 album Pop Pop, this is a mixture of covers ranging from musical classics from the likes of Lerner and Lowe, Hoagy Carmichael and the Gershwin brothers, to classic rock from Steely Dan and Marvin Gaye. The album was nominated for a 2001 Best Pop Traditional Record Grammy Award.

Kevin Mahogany's decision to cover Motown hits in a jazz setting stems from his desire to not only increase the audience for jazz, but to add new material to the music's repertoire, in addition to the established standards. The results are ear-opening, particularly for those who never seriously listened to the likes of Marvin Gaye or Smokey Robinson.

Blue-eyed soul crooner Michael McDonald gave his career a much-needed shot in the arm with 2003's Motown, a commercially well-received collection that matched the one-time Doobie Brother and '80s solo star's rich vocals with songs from Hitsville's peak. Fans of Motown, The Doobie Brothers, and of course, Michael McDonald will love, "Motown".

One year later, McDonald again delves into the Motown bag to come up with another 14 selections from such giants as Stevie Wonder, Marvin Gaye, and Smokey Robinson. McDonald is a distinctive enough vocalist to bring something to these classics, as tough as that task is. Unfortunately, the uninspired production and stilted musicianship keeps the likes of "I Was Made to Love Her," "Tracks of My Tears," and Nowhere to Run" from being anything more than dubious offerings to McDonald partisans. Motown became a hit factory as much on the strength of its foot soldiers as it did its commanding stars, but producer Simon Cline employs thin and lethargic backing tracks where some of the most inspired pop playing in history once stood. Return to the Motown source to hear inspired pop soul music.