A busy schedule as music director of the Bach Collegium Japan and sought-after guest conductor doesn’t stop Masaaki Suzuki from returning to his first loves, the organ and the harpsichord. With the present release he adds yet another chapter to his series of Bach’s works for solo harpsichord. After acclaimed recordings of the Well-tempered Clavier, the Goldberg variations, the French Suites and other works the turn has come to the English Suites. Composed while Bach were in his thirties it precedes other sets such as the French Suites and the Toccatas, and in his liner notes, Bach scholar Yo Tomita draws attention to 'the stylistic traits of a youthful and ambitious composer wanting to make his mark through the use of counterpoint and virtuosity'.
A selection of Bach's secular smaller-scale choral and vocal works in the Suzuki BIS cantata cycle delights as much as the weightier ones have done.
Masaaki Suzuki is nearing the end of the excellent BIS cycle of all the Bach cantatas. Other complete current cycles of note are those by Ton Koopman on Challenge and John Eliot Gardiner on SDG. This is the only one on SACD although the disks can also be played in stereo on CD players and most computers. It's also a cycle using period instruments; Koopman's and Gardiner's do not.
Following an extremely promising first album devoted to Dowland, here is another chance to hear Damien Guillon, accompanied by his ensemble Le Banquet Céleste, in a programme of solo cantatas by J. S. Bach.