One of the greatest albums ever from organist Charles Earland – a double-length set that's filled with spiritual, soaring grooves! The style here is a perfect blend of the rougher soul jazz of Earland's roots with some of the spacier styles of his later recordings – served up in a sound that's majestic and powerful, almost with an indie soul jazz sort of vibe overall! There's an immediate urgency to most numbers that's totally undeniable – a lesson learned from the electric experiments of Herbie Hancock and Miles Davis, but fused down into a core essence – then let loose on a soaring journey to the heavens.
The Mastercuts label's great Classic Jazz-Funk series kicked off in 1991, and like the remainder of volumes released in its wake throughout the '90s, the first volume more or less concentrates on the '70s end of jazz-funk, as opposed to the form's beginnings during the '60s. Jazz artists were incorporating more potent and often easily danceable backbeats and were also allowing for the R&B of the time to infiltrate their sound, causing purists to shriek in horror at the break from tradition and – just as importantly – the crossover appeal.
Housed in slick digipaks containing 5 discs packed full of your favourite hits. Supersonic 70s presents 100 Classic Sounds of the 70s across Pop, Funk, Soul & Disco. The biggest hits from Eric Carmen, Boston, The Jacksons, Lou Reed, Bay City Rollers, Lou Reed, Deniece Williams, Meat Loaf, and many more..
Remember that Night directed by David Mallet was filmed over three nights, May 29, 30 and 31, 2006 at London's beautiful Royal Albert Hall during Gilmour's short tour promoting his latest project On An Island. Featuring songs from this latest project, and some Pink Floyd hits as well, Gilmour delivers an exciting performance that delights and mesmerizes the engaged audience throughout the concert. Gilmour also brought several guest stars onstage in the form of David Crosby, Graham Nash, and David Bowie who I almost did not recognize. David is backed by the same group of musicians that joined him on his last tour, except for Nick Mason. Also joining Gilmour is British jazz musician Robert Wyatt who plays a beautiful rendition of "Then I Close My Eyes".
The Year is 1860 and the town is New Orleans. A handsome brothel slave named Drum (Ken Norton) is bought by the scheming plantation owner, Hammond Maxwell (Warren Oates) for the sole purpose of siring beautiful slave children. Maxwell will sell the children for up to three dollars each in the market. But others have designs on the attractive, powerful slave too, and many of them are women…
Whether you ask bandmembers or longtime fans for the decisive moment when Motorpsycho became, for lack of a better word, themselves, almost all will point to Demon Box. It was the band's third and last album for Voices of Wonder Records. Their previous two, 1991's Lobotomizer and 1992's Soothe, showcased elements of the persona that gels here, but not the totality. Demon Box moves far beyond the hard psych, grungy guitar, and indie tendencies of those albums toward more formal song and compositional structures, as well as the far-flung experimentalist and improvisational frontiers that made them legends…