Matt Henderson

The Amazing Selling Machine 11 version was an updated version of ASM X released on April 17, 2019. This training will be open for people to sign up and get free access to FREE software and tool to find hot selling products on Amazon on Oct 8, 2019.

Matt Brewer's third Criss Cross leader album, Ganymede, follows a pair of inspired ensemble recordings (Mythology. Criss 1373; Unspoken, Criss 1390), for which the master bassist convened some of the most accomplished individualists of 21st century jazz to interpret original music that showcased Brewer's sophisticated compositional skills, lyric gifts, and state of the art chops.

Matt Brewer's third Criss Cross leader album, Ganymede, follows a pair of inspired ensemble recordings (Mythology. Criss 1373; Unspoken, Criss 1390), for which the master bassist convened some of the most accomplished individualists of 21st century jazz to interpret original music that showcased Brewer's sophisticated compositional skills, lyric gifts, and state of the art chops. Here, Brewer pares down to the trio format, allowing tenor saxophone hero Mark Shim, drum virtuoso Damion Reid and himself ample room to stretch out on challenging 'inside' repertoire by Ron Carter ('RJ') and Joe Henderson ('Afro-Centric'), 'outside' songs by Ornette Coleman ('Eos'), and Dewey Redman ('Willisee'), a complementary piece by Shim, and four of his own well-wrought originals.

One Voice is the fourth full-length studio album from New York hardcore band, Agnostic Front. It was released in 1992 on Relativity Records. It marks a three-year absence from recording – the last album was Live at CBGB in 1989 – after Roger Miret's term of imprisonment. However, the comeback was short-lived as after Last Warning (another live album), the band split up and did not record again until 1998.

In 2018—The Year in Which Our Lord is Hanging Their Head in Shame at Their Creation—it’s nice to have something you can rely on. When news breaks of friends, family, heroes, and strangers succumbing to previously undiagnosed mental health issues, experiences with assault and abuse, battles with addiction, and spouting off innocent (yet still offending) slips of the tongue are regular occurrences; spit-slathered curve balls fly from the Hairpiece-in-Chief’s mouth on a daily basis; your favourite bands exist as pale imitations of their former selves; it’s reassuring to know there are still places out there where you know what you’re going to get.

Each chapter in this book is written by a different educator or team about their experiences with project-based learning, both in and out of the classroom. They reflect not only on the how of project-based learning, but more importantly, on the what and the why. They offer insight into how connecting with learners, honouring their experiences, and promoting deep and rich questioning can be the path to powerful projects and learning. Their writing and thinking is saturated with empathy, expertise, a desire to improve their practice, and an acknowledgment of the need to collaborate. This book will inspire, challenge and engage you—and transform your teaching and learning.

Trumpeter, composer and band leader David Weiss has a wide-ranging inquisitiveness and acquaintance with both modernistic, forward-seeking jazz and early jazz-fusion. On the 76-minute Wake Up Call, Weiss’ latest album with his ensemble Point of Departure, he showcases his uncanny ability to uncork material which is not always well-known to jazz fans, but which brings to life music which has an essence that goes beyond what is predictable. Notably, there are no originals among the nine tracks on Wake Up Call, and yet Weiss has managed to put compositions by John McLaughlin, Wayne Shorter, Joe Henderson and others into a cohesive and thematic whole. No easy feat to reinterpret other musicians’ work and make it comfortably fit into a singular compendium. Weiss slices his album into three sections: Prologue; Unfinished Business; and New Beginning.