Maybe More

Cheryl Draper (Barbara Stanwyck) witnesses a murder in the apartment opposite her bedroom window. The police come, but discover only a respectable author, Dr. Richter (George Sanders). Cheryl investigates anyway, with some encouragement from a homicide lieutenant (Gary Merrill), and finds some corroborating, but inconclusive, evidence. Richter first tries to label Cheryl as mentally-unbalanced. When that fails, he decides to kill her. The plot of this small thriller has obvious similarities to Rear Window, but it is realized in a totally different, quite satisfying manner, due to top-notch performances by Stanwyck and Merrill.

Une élève de première surdouée, croise le regard d'un homme venu de l'Est dans le bus… Ainsi commence leur histoire d'amour. Sabine vit dans une famille qui semble avoir abdiqué depuis longtemps. Dans ce terreau ingrat, elle a pourtant trouvé la force de s'en sortir, grâce à son propre univers : les maths. Sa chance est d'avoir su reconnaître l'homme qui va la tirer de là…

The Golden State Killer: It's Not Over is a docuseries that follows the active investigation of a serial rapist and murderer. From 1976 to 1986 this predator raped over fifty women and killed ten people, maybe more. His reign of terror began in Sacramento but it didn't end there. Over the years he traveled through Northern and Southern California as he sharpened his skills and escalated his crimes. We hear from survivors, friends and family of the murder victims, detectives past and present and we follow Paul Holes, a Cold Case Investigator, as he uncovers new leads.

Kendall's one holiday wish is to keep the family ranch solvent. Her rival's charming son offers help-and maybe more-but can he be trusted?

Separated from her incarcerated husband Bill (Hinds), Trish (Janney) is about to be married again. Bill is a pedophile, so Trish couldn't be more excited to have Harvey (Lerner), a "normal" father figure for her two sons. But when Bill is released from prison and the boys finally meet their future stepdad, the family is forced to decide whether to forgive or to forget. Trish's sister, the virginal, angelic Joy (Henderson), is also haunted by ghosts of lovers past. On leave from her degenerate husband, Allen (Williams), and her job at a New Jersey correctional facility, Joy unwittingly leaves behind a trail of shame and exposed secrets wherever she goes. In one of the film's most stylized sequences, the image of Joy walking the dark streets of Miami in her nightgown maintains her innocence against a backdrop of self-affliction and desire.

Mike, a young teenage boy who has just lost his parents, is afraid to lose his brother. This fear causes him to follow his brother to a funeral, where Mike witnesses the Tall Man lift a coffin on his own. Mike decides to investigate and discovers a horrible world where the Tall Man, along with his flying spheres, shrink the to half their normal size and reanimate them as slaves. It is then up to Mike, his brother, and Reggie the ice cream man to stop the Tall man.

A large, claustrophobic apartment is the setting for this intense chamber drama from Bela Tarr (Satantango, Werckmeister Harmonies). In this dense setting, the inhabitants of the apartment reveal their darkest secrets, fears, obsessions and hostilities in a style that combines the anguish and existentialism of Bergman with the emotional intensity of Cassavetes. Jytte Jensen of The Museum of Modern Art called Tarr "one of the most innovative and accomplished auteurs in filmmaking today.

A large, claustrophobic apartment is the setting for this intense chamber drama from Bela Tarr (Satantango, Werckmeister Harmonies). In this dense setting, the inhabitants of the apartment reveal their darkest secrets, fears, obsessions and hostilities in a style that combines the anguish and existentialism of Bergman with the emotional intensity of Cassavetes. Jytte Jensen of The Museum of Modern Art called Tarr "one of the most innovative and accomplished auteurs in filmmaking today.

Carlos, directed by Olivier Assayas, is an epic, intensely detailed account of the life of the infamous international terrorist Ilich Ramírez Sánchez—also known as Carlos the Jackal. One of the twentieth century’s most wanted fugitives, Carlos was committed to violent left-wing activism throughout the seventies and eighties, orchestrating bombings, kidnappings, and hijackings in Europe and the Middle East.