In the mid- to late '70s, Michael Henderson had a reputation for being a quiet storm-oriented singer. R&B fans associated him primarily with romantic material, whether it was with Norman Connors ("Valentine Love," "You Are My Starship," "We Both Need Each Other") or on his own ("At the Concert," "Take Me, I'm Yours," "Be My Girl," "In the Night-Time"). But the success of the quirky "Wide Receiver" in 1980 reminded Henderson's admirers that he was also quite capable of delivering an aggressive funk jam. Nonetheless, romantic soul ballads and slow jams remained a high priority for him, and they dominate 1981's Slingshot (which was originally released on vinyl LP by Buddah before being reissued on CD by The Right Stuff in 1995 and Funky Town Grooves in 2011).
Michael released "Dragonfly Summer after a three year hiatus. What a wonderful return. The opener "Coming To Life" is an upbeat tune where Michael seems like he's singing about the start of this album itself. All of the songs are winners, I sometimes wonder what the outtakes are like, given the overall quality of the songs here. "Soul Mate" not only turned me on to Jeff Lorber, but also introduced me to Eric Benet, he's singing the harmony vocal. Not only is Michael talented, but the people he surrounds himself with, wow! The title track is fun, "Monk's New Tune" is about as late night jazz as Michael gets. "I Love Lucy" is that "I Love Lucy," the only cover Michael has recorded, save for a couple Christmas songs. The song is transformed from a Cuban lounge style to a romantic Brazilian influenced love song, the orchestration is glorious. "Practice Makes Perfect" is fun, "String Of Pearls" is a beautiful song, moving at a nice tempo featuring accoustic guitar and a woodwind solo.
When an album boasts Robben Ford on lead vocals and guitar and Jimmy Haslip on electric bass, one tends to assume that there will be some type of jazz influence. Haslip, after all, was a founding member of the Yellowjackets back in 1981 and was still with the group 29 years later in early 2010, while the eclectic Ford has a long history of excelling as both a blues-rocker and a jazzman. It turns out that jazz is, in fact, an influence on parts of Renegade Creation, which unites Haslip and Ford with Michael Landau (lead vocals, guitar) and Gary Novak (drums). Jazz isn't a huge influence on this 2010 release, but it is an influence.