Michael Schermer

Austin-based pianist and singer Marcia Ball began her solo career in earnest with the 1984 album Soulful Dress, and 30 years later, she's still pounding out the blues and boogie on The Tattooed Lady and the Alligator Man. The biggest challenge of a career that's been chugging along for more than three decades is keeping things fresh, and while The Tattooed Lady doesn't blaze many new trails, the album proves Ball's mojo is still working as a songwriter and a piano player, and she clearly hasn't run out of things to say.

Austin-based pianist and singer Marcia Ball began her solo career in earnest with the 1984 album Soulful Dress, and 30 years later, she's still pounding out the blues and boogie on The Tattooed Lady and the Alligator Man. The biggest challenge of a career that's been chugging along for more than three decades is keeping things fresh, and while The Tattooed Lady doesn't blaze many new trails, the album proves Ball's mojo is still working as a songwriter and a piano player, and she clearly hasn't run out of things to say.

Austin-based pianist and singer Marcia Ball began her solo career in earnest with the 1984 album Soulful Dress, and 30 years later, she's still pounding out the blues and boogie on The Tattooed Lady and the Alligator Man. The biggest challenge of a career that's been chugging along for more than three decades is keeping things fresh, and while The Tattooed Lady doesn't blaze many new trails, the album proves Ball's mojo is still working as a songwriter and a piano player, and she clearly hasn't run out of things to say.