Mob Land

Queensrÿche started as The Mob in 1981, by guitarist Michael Wilton, drummer Scott Rockenfield, guitarist Chris DeGarmo and bassist Eddie Jackson. Without a singer, they recruited Geoff Tate to sing for them at a local rock festival…

Queensrÿche started as The Mob in 1981, by guitarist Michael Wilton, drummer Scott Rockenfield, guitarist Chris DeGarmo and bassist Eddie Jackson. Without a singer, they recruited Geoff Tate to sing for them at a local rock festival. At the time, Tate was in another band called Babylon. After Babylon broke up, Tate performed a few shows with The Mob, but left the group. In 1981, The Mob put together sufficient funds to record a demo tape. Once again they asked Tate, who was in another band Myth, to do the vocals and they recorded four songs “Queen of the Reich”, “Nightrider”, “Blinded”, and “The Lady Wore Black”…

Whether you know his voice from ARK, Masterplan, Avantasia, Ayreon’s 01011001 album, or in collaboration with “Sir” Russell Allen, if your musical journey has ever taken you within earshot of power metal, you know Norway’s Jorn Lande very well. In his prodigious body of work as a solo vocal artist, his band is eponymously known simply as Jorn. His 2019 Live On Death Road has just been released to CD, MP3, DVD, and Blu-Ray, offering an impressive 50th Birthday look at the voice of so much of European metal in the last twenty years…

Jørn Lande (born May 31, 1968), is a Norwegian heavy metal singer who has sold over two million records worldwide. He is known for being the former vocalist of bands Masterplan, Ark, Beyond Twilight, Millenium, Vagabond, and The Snakes, as well as for his successful solo career as Jorn.

Queensrÿche started as The Mob in 1981, by guitarist Michael Wilton, drummer Scott Rockenfield, guitarist Chris DeGarmo and bassist Eddie Jackson. Without a singer, they recruited Geoff Tate to sing for them at a local rock festival…

Jim Jarmusch - Full Filmography (1980-2009)

Jarmusch has been characterized as a minimalist filmmaker, and his idiosyncratic films unhurried. His films often eschew traditional narrative structure, lacking clear plot progression and focusing more on mood and character development. Jarmusch's early work is marked by a brooding, contemplative tone, featuring extended silent scenes and prolonged still shots. He has experimented with a vignette format in three films either released or begun around the early nineties: Mystery Train, Night on Earth, and Coffee and Cigarettes. Jarmusch's approach to filmmaking—in the words of The Salt Lake Tribune critic Sean P. Means—involves "blending film styles and genres with sharp wit and dark humor", and is pervaded by a signature deadpan comedic tone.