Having succeeded in the '80s by drawing on '60s nostalgia with a song ("Your Wildest Dreams") and video, the Moody Blues in the '90s began tailoring entire shows to recapture their '60s glory days – and they succeeded…
Hall of Fame is a live album by the progressive rock band The Moody Blues. It was recorded at a concert performed at the Royal Albert Hall, which included backing by a live orchestra. The album was released on 8 August 2000. It is the second Moody Blues live album to feature a live orchestra, with the first being A Night at Red Rocks with the Colorado Symphony Orchestra. This is the last live release to feature Ray Thomas. A decade on, all but "Overture" and "Legend of a Mind" appeared on the budget release Live at the Royal Albert Hall with the World Festival Orchestra released by Sony Music Custom Marketing Group in the United States. Backed by the large string ensemble, the Moody Blues perform a cross section of their hits, both new and old. Included here are such songs as "Tuesday Afternoon," "The Story in Your Eyes," "Nights in White Satin," and more.
Classic Hits 1938-52 is a five-disc, 123-track collection of Big Joe Turner's earliest recording sessions before finding stardom with his mid-'50s R&B sides. While this JSP set isn't extravagant, it's a luxury to have Turner's sides for National, Aladdin, Freedom, MGM, and Imperial remastered and together in one collection. The final disc also includes the Boss of the Blues' first recordings for Ahmet and Nesuhi Ertegun of Atlantic Records: "Chains of Love," "Sweet Sixteen," "Poor Lover's Blues," and "Still in Love (With You)." Turner tackles blues, swing, and fiery up-tempo jump blues, assisted by Pete Johnson, Wynonie Harris, Pee Wee Crayton, Budd Johnson, Dave Bartholomew, Fats Domino, Joe Houstin, Albert Ammons, Don Byas, Art Tatum, and Hot Lips Page. While this is a collector's dream, the casual listener would do better with Big, Bad & Blue: The Big Joe Turner Anthology on Rhino.
Long-established as a hugely popular radio format, the Classic Rock sound was established – though not codified and canonised until some while later – in the Seventies, when numerous British bands from a pop or blues-based background pioneered a muscular, riff-based sound that dominated American FM airwaves and led the most successful practitioners to fame, fortune and all manner of related excess.
The late Esther Phillips (1935-1984) has often been considered one of the ‘unsung’ pioneers in the world of R&B, stretching back to the early ‘50s when as a child star working with famed bandleader Johnny Otis, she enjoyed a run of chart-topping singles at the age of 15, making her the youngest female artist to ever have an No. 1 R&B hit at the time. The Texas-born vocalist returned in 1962 with a soulful version of the country hit, ‘Release Me’ for Lenox Records, subsequently signing with Atlantic Records for whom she recorded a total of four full albums between 1964-1970 with a brief spell at Roulette Records in 1969.
The Scottish hard rock quartet Nazareth had a handful of hard rock hits in the late '70s, including the proto-power ballad "Love Hurts." Formed in 1968, the band featured vocalist Dan McCafferty, guitarist Manny Charlton, bassist Pete Agnew, and drummer Darrell Sweet. The band had relocated to London by 1970, and they released their self-titled debut album in 1971…