Mouth His Name Is Alive

The act with the first arena-sized sound in the electronica movement, the Chemical Brothers united such varying influences as Public Enemy, Cabaret Voltaire, and My Bloody Valentine to create a dance-rock-rap fusion which rivaled the best old-school DJs on their own terms – keeping a crowd of people on the floor by working through any number of groove-oriented styles featuring unmissable samples, from familiar guitar riffs to vocal tags to various sound effects. And when the duo (Tom Rowlands and Ed Simons) decided to supplement their DJ careers by turning their bedrooms into recording studios, they pioneered a style of music (later termed big beat) remarkable for its lack of energy loss from the dancefloor to the radio. Chemical Brothers albums were less collections of songs and more hour-long journeys, chock-full of deep bomb-studded beats, percussive breakdowns, and effects borrowed from a host of sources. All in all, the duo proved one of the few exceptions to the rule that intelligent dance music could never be bombastic or truly satisfying to the seasoned rock fan; it's hardly surprising that they were one of the few dance acts to enjoy simultaneous success in the British/American mainstream and in critical quarters.

Ilja Richter was born to parents Georg and Eva Richter. Georg was a Communist, who named Ilja after the Russian journalist Ilja Ehrenburg, and Eva was a Jew who survived the Third Reich under a fake Aryan identity. Georg spent nine and a half years in the penitentiary and concentration camp during the Third Reich. After the family was in political difficulties in the GDR, they moved to West Berlin in 1953. There, the Richters leased a restaurant. In 1955, Ilja's sister Janina was born, and in 1959 they moved to Cologne.

Ilja Richter was born to parents Georg and Eva Richter. Georg was a Communist, who named Ilja after the Russian journalist Ilja Ehrenburg, and Eva was a Jew who survived the Third Reich under a fake Aryan identity. Georg spent nine and a half years in the penitentiary and concentration camp during the Third Reich. After the family was in political difficulties in the GDR, they moved to West Berlin in 1953.

Billy Talent (2003). Billy Talent takes its curious handle from a character name in the 1996 mock rockumentary Hard Core Logo, which traced the continuing adventures of an aging Vancouver punk band. The reference is probably more resonant in the Talent's home base of Toronto; everywhere else, it's a little awkward. Fortunately, the quartet's eponymous Atlantic release struggles mightily to make music matter more than moniker or stylized genre revivalism. Over a muscular, relentless, and viciously catchy 40 minutes, the band checks the wiry, melodic punk of the Buzzcocks while working Fugazi's dueling vocalist dynamic and searingly precise guitar breaks into its own three-minute anthems…