Murray Perahia Goldberg Variations

VA - Sony Classical Great Performances, 1903-1998 (1999) (4 CDs Box Set)

VA - Sony Classical Great Performances, 1903-1998 (1999) (4 CDs Box Set)
EAC Rip | FLAC (Tracks+.cue, log) | 4 CDs, 05:05:00 min | Covers included | 1,25 Gb
Genre: Classical / Label: Sony Classical

Few record labels can boast as glorious a legacy as Sony Classical. This lavish four-disc set chronicles the finest performances available on the label from the past ninety-five years. Eighty selections comprising over four hours of music are accompanied by two lavishly illustrated booklets highlighting Sony Classical's stellar history.

Yo-Yo Ma - 30 Years Outside The Box (2009) (90 CDs Box Set)  Music

Posted by murena at Oct. 19, 2017
Yo-Yo Ma - 30 Years Outside The Box (2009) (90 CDs Box Set)

Yo-Yo Ma - 30 Years Outside The Box (2009) (90 CDs Box Set)
EAC Rip | FLAC (Tracks+.cue, log) | 90CDs, 92h 13min | 23,2 Gb | Covers & booklets (.pdf) -> 83 mb
Genre: Classical / Label: Sony Classical

This release celebrates and commemorates Yo-Yo Ma's 30 year recording career with Sony Music. Created with the full participation of Yo-Yo Ma, 30 Years Outside the Box, is the definitive collection of this iconic artist. The box set contains every original album Yo-Yo Ma has recorded including 2 discs of rare and never before released material.
Vladimir Feltsman, Orchestra Of St. Luke's - Johann Sebastian Bach: 7 Keyboard Concertos (2009) 2CDs

Johann Sebastian Bach: 7 Keyboard Concertos (2009) 2CDs
Vladimir Feltsman, piano & conductor, Orchestra Of St. Luke's

EAC | FLAC | Image (Cue&Log) ~ 439 Mb | Scans included | Time: 01:48:11
Genre: Classical | Label: Nimbus | # NI 2541/2

Originally recorded for the small Music Masters label in the early '90s, this set of Bach's keyboard concertos was among a series of choice Music Masters items reissued by Nimbus late in the first decade of the 21st century. The Russians have never been known for Bach, but this is a solid traversal that can be recommended to anyone wanting to hear these concertos on a piano accompanied by modern instruments. Despite these forces, there is a good deal of influence from the British historical-instrument movement apparent here; the crisp string playing avoids any hint of Romantic sheen, and Feltsman is very subtle in his introduction of purely pianistic elements. The long notes in the slow movements tend to be just a bit more extended than would be possible on a harpsichord, and Feltsman thus creates a smooth, pearly texture that's quite lyrical. In several of the finales he pushes the tempo to high speeds, creating an entirely different effect on a piano that the music would have on a harpsichord.