My African Head Charge

Not very many reggae albums acknowledge Alan Lomax in the credits. But then, African Head Charge (a band with a constantly changing membership led by percussionist Bonjo Iyabinghi Noah) doesn't really make typical reggae albums. Although the one-drop beat (provided on this album by Lincoln "Style" Scott) influences everything and the basslines have a typical tidal undertow, the stuff that Noah layers on top of the mix has more to do with ethnomusicology than the dancehall. The song titles say it all: "Cattle Herders Chant," a field recording of call-and-response chanting overlaid with Nyahbinghi drums and highlife guitar; "My God," eerie, minor-key African-American church singing supported by a chugging reggae bassline, bare-bones drumming, and the sound of running water; "Deer Spirit Song," an unidentifiable indigenous song in 9/8 meter with a gently driving rockers beat and occasional sound effects thrown in. This is an exceptionally beautiful album, but in a deeply strange way.

Compilation of early tracks produced or remixed by the legendary Adrian Sherwood; a pioneering blend of post-punk, mutant disco, dub, funk and electro. Includes 6 tracks that have never been reissued in any format, and 2 completely unreleased tracks from the On-U vaults. Features The Slits, Prince Far I, The Fall and Mark Stewart.

Metal Allegiance burst onto the scene in 2015 with one of the strongest debut metal albums in years. It’s even more impressive when you consider that Metal Allegiance are a collaboration, a metal super-group comprised of some of the busiest and most decorated musicians in the genre. David Ellefson (MEGADETH), Alex Skolnick (TESTAMENT), Mike Portnoy (SONS OF APOLLO, ex-DREAM THEATER, et al.) and Mark Menghi comprise the core four, and are joined by a laundry list of metal legends both new and old…