Nam Sense

Oliver Stone's breakthrough as a director, Platoon is a brutally realistic look at a young soldier's tour of duty in Vietnam. Chris Taylor (Charlie Sheen) is a college student who quits school to volunteer for the Army in the late '60s. He's shipped off to Vietnam, where he serves with a culturally diverse group of fellow soldiers under two men who lead the platoon: Sgt. Barnes (Tom Berenger), whose facial scars are a mirror of the violence and corruption of his soul, and Sgt. Elias (Willem Dafoe), who maintains a Zen-like calm in the jungle and fights with both personal and moral courage even though he no longer believes in the war. After a few weeks "in country," Taylor begins to see the naïveté of his views of the war, especially after a quick search for enemy troops devolves into a round of murder and rape. Unlike Hollywood's first wave of Vietnam movies (including The Deer Hunter, Apocalypse Now, and Coming Home), Platoon is a grunt's-eye view of the war, touching on moral issues but focusing on the men who fought the battles and suffered the wounds.

Jimmy Cliff has always occupied an odd position in reggae music, first of all because he predates it significantly, but also because for much of his career he merged his musical interests with international pop considerations to the extent that he managed to record frequently for such major labels as Warner, EMI, Universal, and Sony. Although his commercial success was spotty, it was recurrent; he first hit the charts internationally in 1969 and was still scoring occasionally in the mid-'90s. His label hopping had made it practically impossible to assemble a thorough compilation of his work until the release of Anthology. Universal's Hip-O reissue subsidiary specializes in putting together anthologies that span record labels, and the compilers had quite a task on their hands when it came to Cliff.