Sometimes it feels like you hear a Bright Eyes song with your whole body. From Conor Oberst’s early recordings in an Omaha basement in 1995 all the way up to 2020, Bright Eyes’ music tries to unravel the impossible tangles of dissent: personal and political, external and internal. It’s a study of the beauty in unsteadiness in all its forms – in a voice, beliefs, love, identity, and what fills up the spaces in-between. And in so many ways, it’s just about searching for a way through.
Conor Oberst will release a new album, Salutations, on Nonesuch Records, on March 17, 2017. The album is a companion piece to 2016's lauded Ruminations. When Oberst wrote and recorded the songs on Ruminations, entirely solo—with just voice, piano, guitar and harmonica—he intended to ultimately record them with a full band. In the midst of putting together that band—upstate New York's The Felice Brothers plus the legendary drummer Jim Keltner (Neil Young, Jackson Browne, George Harrison, Bob Dylan, John Lennon, and many more)—the passionate responses Oberst was getting to those first solo recordings, from friends and colleagues, encouraged him to release the songs as-is, in their original sparse form, as his seventh solo album: Ruminations, which was released in October 2016. The Sunday Times of London called it "the rawest album yet from the forever troubled one-time voice of a generation" and "political and very, very personal," saying Oberst is "one of the best songwriters around."
Ezra Furman can feel the future barrelling toward the now. Inside the world of her new album, All of Us Flames, the end of the patriarchal capitalist empire seems both imminent and inevitable, a turn down a path we can't see yet but can't avoid, either. The heat of a different world throbs just behind the skin of this one; all around us, openings to it flicker. They vanish almost as soon as they've appeared. But they keep appearing, as if daring us to hold them open, to widen them until they turn into a way.
Phoebe Bridgers doesn’t write love songs as much as songs about the impact love can have on our lives, personalities, and priorities. Punisher, her fourth release and second solo album, is concerned with that subject. To say she writes about heartbreak is to undersell her blue wisdom, to say she writes about pain erases all the strange joy her music emanates. The arrival of Punisher cements Phoebe Bridgers as one of the most clever, tender and prolific songwriters of our era.