William Alexander "Alex" Chilton (December 28, 1950 – March 17, 2010) was an American songwriter, guitarist, singer and producer, best known as the lead singer of the Box Tops and Big Star. Chilton's early commercial sales success in the 1960s as a teen vocalist for the Box Tops was not repeated in later years with Big Star and in his indie music solo career on small labels, but he drew a loyal following in the indie and alternative music fields, and is often cited as an influence by many mainstream rock artists and bands.
This wasn't the Canadian band who became the Band; the original members of this Hollygrove-New Orleans gospel quartet called the Hawks – Albert Veal, John Henry Morris, Paul Exhano, and Sam Tophia – began their career by calling themselves the Humming Four and were all part of one of the oldest New Orleans-area groups to form in the post-World War era. They later recorded for Imperial Records' local A&R man Dave Bartholomew, who invited the group to work with some of his R&B groups.
Love never dies in Brian De Palma's psychological thriller, though money certainly complicates matters. Rich New Orleans real estate developer Michael Courtland (Cliff Robertson) lost his beloved wife Elizabeth (Genevieve Bujold) and their daughter during a botched kidnap rescue, after he chose to let the police try to free them instead of paying the ransom. Sixteen years later, Michael returns to the Tuscan church where he and Elizabeth first met, and he sees Sandra Portinari (Bujold again), the mirror image of his dead wife. Despite the reservations of his long-time friend and business partner (John Lithgow), Michael woos Sandra and brings her back to New Orleans to marry her. Seeing Sandra as his second chance to prove his love, Michael thinks he can finally put the past behind him, but the past is about to catch up with him in ways he never dreamed.
This program offers three lively, colorful, and captivating orchestral works by two United States composers, born almost a century apart. These pieces exhibit the fruitful exchange and flow of musical material between North and South America that has long played a role in popular music, apparent not only in commercial song and dance music using Latin American melodies and rhythms but also in early jazz and blues where tango rhythms are so often heard, as in W. C. Handy's St. Louis Blues. And both Gottschalk in the 1850s, close to the beginning of a creative American musical tradition, and Gould in the 1950s, when such a tradition had flowered considerably, show a combination of seriousness of approach with a popular touch.