Even though we've seen the man perform at least half a dozen times at one festival or the other, we haven't really kept up with the discography of French-Serbian director, actor and musician Emir Kusturica and his No Smoking Orchestra. On the cover of 'Corps Diplomatique', the band's first release since 2007s 'Time Of The Gypsies', all band members are dressed in Mexican mariachi costumes. Don't expect any mariachi music though, as Kusturica serves another dose of his usual cross-border anarcho-Balkan sound his live sets are famous for as well.
A Zurich, Switzerland, native, composer, flutist, and saxophonist Daniel Schnyder is as comfortable and gifted with classical chamber music as with avant-garde jazz, easily crossing between both significant genres of music. He originally studied flute in his homeland at the Conservatory of Winterthur. After moving to the United States, he switched to the Berklee College of Music in Boston and began to study jazz arranging, composition, and the saxophone. He has worked with Lew Soloff, Lee Konitz, Abdullah Ibrahim, Milwaukee Symphony Orchestra, and many others over the years.
Out of the Cool, released in 1961, was the first recording Gil Evans issued after three straight albums with Miles Davis - Sketches of Spain being the final one before this. Evans had learned much from Davis about improvisation, instinct, and space (the trumpeter learned plenty, too, especially about color, texture, and dynamic tension). Evans orchestrates less here, instead concentrating on the rhythm section built around Elvin Jones, Charlie Persip, bassist Ron Carter, and guitarist Ray Crawford. The maestro in the piano chair also assembled a crack horn section for this date, with Ray Beckinstein, Budd Johnson, and Eddie Caine on saxophones, trombonists Jimmy Knepper, Keg Johnson, and bass trombonist Tony Studd, with Johnny Coles and Phil Sunkel on trumpet, Bill Barber on tuba, and Bob Tricarico on flute, bassoon, and piccolo…
As different as can be from the Luis Russell recordings of the 1920s and early '30s, most of this material is heavily larded with male vocalists who use up lots of oxygen emulating Billy Eckstine. This was a stylistic trend during the years immediately following World War II, as entire big bands were yoked into subservience behind the all-important Big-Named Singer. As this development made Frank Sinatra and Perry Como into household words - and caused Nat Cole to practically abandon the piano - it paved the way for a morbid emphasis on the pop vocalist as cash cow core of the music business. This is a malady from which the industry has yet to recover. None of the singers heard on these Manor and Apollo sides enjoyed popular success, and neither did Russell's short-lived modernized big band…
Universal Music presents 5-CD box-set - 100 Film Classics. 100 Classic hits from classical movies and different genres. You can find out here Miles Davis, Ryuichi Sakamoto, Ennio Morricone, The Beach Boys, Johnny Cash alongside with classical works by Mozart or Strauss.