Nowhere 1997

This soundtrack was well-curated by the standards of the late 90s, and as a result retains real musical integrity more than 10 years later. ~Brett Colley, amazon.com

Chronological development of popular music from 1960 to 1997, the impact of social change on the text and style of music. Immerse yourself in a nostalgic trip, remember how it was different before. For the older generation it - a memory, a wonderful meeting with the youth and for the young - a unique opportunity to hear music that is virtually nowhere is not sound.

In this suspense thriller, a man discovers the unexpected danger of trusting a good Samaritan. Jeff Taylor (Kurt Russell) and his wife Amy (Kathleen Quinlan) are driving through the New Mexico desert en route to California when an incident with a lunatic driver causes their jeep to break down in the middle of nowhere. Jeff is trying to fix the vehicle when an apparently friendly truck driver, Red Barr (J.T. Walsh), stops by to offer help. Red tells the couple that there's a diner a few miles down the road where they can call for help; Jeff decides to stay with the car while Amy hops a ride with Red to see if she can find a mechanic to help them. After a long wait, Jeff is able to get the jeep running again, and he discovers that the diner is indeed a few miles down the road. But everyone there claims they've seen no sign of Amy, and Red claims to know nothing about picking her up.

Nowhere - by Gregg Araki (1997)

The third film from Gregg Araki's famous "apocalyptic trilogy for teens."
It looks like a gibberish, but that's life. Lives of young people who by fate were there to live one day. An ordinary day, full of insecurity, doubt, fear, drugs, rap music, unrestrained drunkenness, death and love. Passionate, insane, and on an even more terrible love. They have no one living anywhere else …

May 3, 2019 sees the start of Stereolab's seven album reissue campaign via Warp Records and Duophonic UHF Disks, as expanded and re-mastered editions on vinyl and compact disc. Each album has been re-mastered from the original 1/2'' tapes by Bo Kondren at Calyx Mastering and overseen by Tim Gane. Bonus material will include alternate takes, demos and unreleased mixes. Stereolab have attracted one of the most loyal audiences in modern pop, with every album outselling it's predecessor. The raw artiness and German rock influences heard on this U.K. sextet's landmark Transient Random-Noise Bursts (1993) have been distilled into a smooth sour-mash cocktail here. As with sister act The High Llamas, there's a buoyant '60s whimsy to these tracks, recorded in Chicago (with Tortoise's John McEntire), Düsseldorf and elsewhere. Laetitia Sadier has refined her Françoise Hardy routine, and Tim Gane marshals his vintage synths to fine effect on "Prisoner of Mars" and "The Flower Called Nowhere."