OH She Grow

The Orchestre symphonique de Montréal (OSM) and Kent Nagano are proud to present the world premiere recording of the chamber version of Leonard Bernstein’s ‘A Quiet Place’, adapted by Garth Edwin Sunderland. It will be released on 22 June, ahead of the Bernstein centenary on 25th August 2018.

Rolling Stone's 500 Greatest Albums of All time No. 420, plus Buddy in his solo album debut! Two albums on one Hybrid Mono SACD! Country, rockabillly and R&B fused into epochal rock 'n' roll. Remastered by Kevin Gray at Cohearent Audio from the original analog master tapes!

On her full-length debut Discussions With Myself, Soren Bryce builds a world all her own—a sprawling dreamscape set to lushly detailed alt-pop, constructed with a newfound sense of self-possession. With her ethereal yet commanding vocals, the Brooklyn-based singer/songwriter/multi-instrumentalist sings of paper dolls and plane crashes with equal intensity, infusing the album with moments of bruising honesty and fragile wisdom.

There’s no mistaking the message of “We’re All in The Dance,” the title track of singer Rachel Caswell’s latest album. It’s a lovely waltz, the leitmotif song of the 2006 film Paris, je t’aime, which constitutes 18 miniature meditations on the joys, discontents and consequences of love in the City of Love by an international cohort of renowned directors. The English lyrics rendered by Feist over the film’s final credits pair the dance of life (“partners are lost and found looking for one more chance”) with the dance of music (“feel the beat; music and rhyme while there is time”). Somehow, through her purity of tone, intelligent phrasing, and flowing time feel, Caswell cosigned by an ascendant solo by her younger sister, Grammy-nominated violinist Sara Caswell navigates an alternate, bespoke pathway through a song whose simplicity and elegance pose a challenge to a singer steeped in the complexities of jazz expression.