Oh! Yeah! From Issue 13, 2013

An advertising CEO wakes up in the hospital speaking only in ad slogans.

Cardboard sleeve (mini LP) reissue from Dionne Warwick featuring 2013 remastering. The cardboard sleeve faithfully replicates the US original LP artwork and label. Includes stereo tracks and single version(s) (mono). Contains lyrics.

After several sessions with Columbia and Candid, Charles Mingus briefly returned to Atlantic and cut the freewheeling Oh Yeah, which has to rank as the wildest of all his classic albums. Mingus plays no bass whatsoever, hiring Doug Watkins to fill in while he accompanies the group on piano and contributes bluesy vocals to several tracks (while shouting encouragement on nearly all of them). Mingus had always had a bizarre sense of humor, as expressed in some of his song titles and arranging devices, but Oh Yeah often gets downright warped. That's partly because Mingus is freed up to vocalize more often, but it's also due to the presence of mad genius Roland Kirk…

Los Lobos - Disconnected In New York City (2013) [2CD] {429 Records}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 573 Mb | MP3 @320 -> 195 Mb
Full Artwork @ 300 dpi (png) -> 196 Mb | 5% repair rar
© 2013 429 Records / LL | FTN17956
Rock / Alternative / Roots Rock / Americana

Los Lobos were together for 33 years before they got around to making a live album, but it didn't take long for them to grow fond of the format; Disconnected in New York City is the fourth concert set the veteran East L.A. band has released since 2005. As the title suggests, Disconnected in New York City was recorded during an acoustic gig at the City Winery in N.Y.C., and shows off the more intimate and easygoing side of the group's musical personality, with the absence of amps taking some of the bite out of David Hidalgo's guitar solos, often the high point of their gigs. (He does get to show off his chops on "Tin Can Trust," and they're as impressive as ever.)