Once Upon a Honeymoon (1942)

A 3-CD, four-hour celebration of the post-Brumbeat late ‘60s/early ‘70s rock scene in the West Midlands. Tracing the evolution and development of that scene as local musicians embarked on an epic journey that embraced mod pop, psychedelia, blues, progressive rock, glam-rock and heavy metal, inspired by the emergence of chief catalysts The Move.

Ennio Morricone’s work on The Hateful Eight aside, most of Quentin Tarantino’s movies famously don’t have much in the way of traditional scores. The songs that have played a starring role in so many of his iconic scenes aren’t original compositions—they’re vintage gems, often dug up from the crates by the director himself. The music from Once Upon a Time in Hollywood, captured on this soundtrack, is a prime example. Like the film itself, the songs—from José Feliciano’s cover of “California Dreamin’” to Vanilla Fudge’s take on “You Keep Me Hangin’ On”—are a time capsule of late-’60s Los Angeles, tracks Tarantino himself heard on the radio growing up in the city’s South Bay region (although there are, as usual for the director, lots of deeper cuts, like The Box Tops’ “Choo Choo Train”).