To celebrate the 40th anniversary of Manfred Mann's Earth Band, Creature Music has compiled this stunning box set comprising 21 CDs, a 36-page booklet of the band's history with extensive notes for each album, a 32-page book of Manfred's own memories and anecdotes and a poster of the current band. The catalogue CDs have been remastered and repackaged in LP-style sleeves. The albums have the original UK running order and refreshed sleeves. Live In Ersingen is a brand-new live recording from 22 July this year, featuring the band's latest vocalist, Robert Hart. Leftovers is a compilation of the hit singles and rare or previously unavailable recordings.
Manfred Mann Chapter Three was a British experimental jazz rock band founded by South African keyboard player Manfred Mann and long-time partner Mike Hugg. The line-up for its debut at Newcastle's Mayfair Ballroom on 24 October 1969 was; Mike Hugg (vocals/electric piano), Mann (organ), Bernie Living (alto sax), Steve York (bass) and Craig Collinge (drums), augmented by a five-piece brass section of Clive Stevens (tenor sax), Carl Griffiths (tenor sax), Dave Coxhill (baritone sax), Gerald Drewett (trombone) and Sonny Corbett (trumpet)…
Orange Mountain Music presents this new limited edition 11 disc boxed set - The Symphonies by Philip Glass. This collection features conductor Dennis Russell Davies who has arranged the commission of nine of ten Glass symphonies, leading the orchestras over which he has presided during the past 15 years including the Bruckner Orchester Linz, Vienna Radio Symphony Orchestra, Sinfonieorchester Basel, and the Stuttgart Chamber Orchestra. This collection is the fruit of a 20 year collaboration between Glass and Davies and showcases a wide variety within this surprising body of work by Glass.
This elegantly packaged 10 disc retrospective surveys four decades of work by Philip Glass, from his earliest solo pieces to his world-renowned operas to his Oscar-nominated film scores. In music, words and pictures, it traces the evolution, as critic Tim Page puts it in his liner notes essay, of 'the first composer to win a wide, multi-generational audience in the opera house, the concert hall, the dance world, in film and in popular music-simultaneously.' The long-awaited release of this set follows this past spring's triumphal new staging of Glass's 1980 Satyagraha at the Metropolitan Opera House…
Formed at the dawn of the progressive rock era in 1969, Gentle Giant seemed poised for a time in the mid-'70s to break out of its cult-band status, but somehow never made the jump. Somewhat closer in spirit to Yes and King Crimson than to Emerson, Lake & Palmer or the Nice, their unique sound melded hard rock and classical music, with an almost medieval approach to singing…
This elegantly packaged 10 disc retrospective surveys four decades of work by Philip Glass, from his earliest solo pieces to his world-renowned operas to his Oscar-nominated film scores. In music, words and pictures, it traces the evolution, as critic Tim Page puts it in his liner notes essay, of 'the first composer to win a wide, multi-generational audience in the opera house, the concert hall, the dance world, in film and in popular music-simultaneously.' The long-awaited release of this set follows this past spring's triumphal new staging of Glass's 1980 Satyagraha at the Metropolitan Opera House…
It's difficult to call a guitarist who routinely shows up in the upper reaches of "100 Greatest Guitarists Ever" lists underappreciated, and yet the first impression the towering seven-disc box set Skydog: The Duane Allman Retrospective makes is that Duane Allman does not receive his proper due…
To the outside observer, Looking Glass were one of the luckiest bands to come up during the early '70s – and doubly so, coming out of New Jersey in 1972 with a number one hit, three years before anyone was thinking about Bruce Springsteen & the E Street Band, and getting radio play on the song that has carried over into the oldies and '70s nostalgia boom over the decades since. Ironically, the bandmembers were never entirely happy with either the hit or the nature of the success that it brought them, mostly because it didn't represent what Looking Glass actually sounded like.