Opus Classic Edition

Red Rose Speedway is the twelfth release in the Paul McCartney Archive Collection, personally supervised by Paul McCartney. Released in April 1973 and featuring the #1 single ‘My Love,’ Red Rose Speedway was the first Wings album to hit #1 on the U.S. chart. The 2CD digipack features the original album remastered at Abbey Road Studios on CD1 and bonus audio of singles, B-sides and previously unreleased tracks on CD2.

"The album title for us reflects the feelings that so many people have been experiencing over the last two unprecedented years of darkness. We feel it is time to ‘turn the lights back on’ and shine some positivity and joyousness…” CATS in SPACE are all set to return this summer with their fifth studio album which boldly promises to musically go “where no band has gone before..” the SUN![/quote

"The album title for us reflects the feelings that so many people have been experiencing over the last two unprecedented years of darkness. We feel it is time to ‘turn the lights back on’ and shine some positivity and joyousness…” CATS in SPACE are all set to return this summer with their fifth studio album which boldly promises to musically go “where no band has gone before..” the SUN![/quote

By the dawn of the 1980s, Uriah Heep was considered a relic in the heavy metal world and no one was surprised when they disbanded shortly after 1980s half-hearted Conquest album. However, everyone listening received an unexpected surprise when the band returned with a new lineup and a sleek, revamped sound on 1982's Abominog. If one can get past the Spinal Tap-like title and the gruesome cover art, this outing quickly reveals itself to be one of the most consistent and engaging albums in the group's lengthy catalog. The new Uriah Heep that debuted on this outing was a different animal from the gothic metal ensemble that barnstormed its way through albums like Look at Yourself and Return to Fantasy: echoes of the group's old style could be heard in the drama and instrumental firepower of the new songs, but the overall sound owed a greater debt to the New Wave of British Heavy Metal and harder-rocking AOR groups of the time.

The Who retired following their 1982 farewell tour but like Frank Sinatra's frequent retreats from the stage, it was not a permanent goodbye. Seven years later, the band – Pete Townshend, Roger Daltrey and John Entwistle; that is, Keith Moon's replacement Kenny Jones wasn't invited back – embarked on a reunion tour, and ever since then the band was a going concern. Perhaps not really active – they did not tour on a regular basis, they did not record outside of a version of "Saturday Night's Alright for Fighting" for the 1991 Elton John and Bernie Taupin tribute album Two Rooms – but they were always around, playing tribute gigs and reviving old projects, such as a mid-'90s stab at Quadrophenia, before truly reuniting as an active touring band after the turn of the century.

With its endless, droning minor-key riff and mumbled vocals, "In-A-Gadda-Da-Vida" is arguably the most notorious song of the acid rock era. According to legend, the group was so stoned when they recorded the track that they could neither pronounce the title "In the Garden of Eden" or end the track, so it rambles on for a full 17 minutes, which to some listeners sounds like eternity. But that's the essence of its appeal – it's the epitome of heavy psychedelic excess, encapsulating the most indulgent tendencies of the era.