The tour was preceded by whirlwind political campaign-style tour named "Korn Kampaign" (from August 17, 1998 in Los Angeles through September 1 in Phoenix) to promote the release of their album Follow the Leader. It took the group all over North America to spread the news of their "Family Values" platform to hordes of fans at special "fan conferences" that were organized at every stop along the tour route.
Right from the start, Cale makes it clear he's not messing around on Fear. If his solo career before then had been a series of intriguing stylistic experiments, here he meshes it with an ear for his own brand of pop and rock, accessible while still clearly being himself through and through. Getting musical support from various Roxy Music veterans like Brian Eno, Phil Manzanera, and Andy Mackay didn't hurt at all, and all the assorted performers do a great job carrying out Cale's vision.
Recentering themselves over two decades after 2001's excellent but misunderstood self-titled LP, '90s alt-metal survivors Stabbing Westward revive their peak industrial-goth sound to maximum effect on the long-awaited Chasing Ghosts. Following that most recent full-length, this returns the band to the quintessential sound of their heyday: corrosive mechanizations set to driving beats and urgent delivery of scathing, self-flagellating lyrics. For this iteration of Stabbing Westward, Orgy alumni Carlton Bost (guitars) and Bobby Amaro (drums) join founding members vocalist/guitarist Christopher Hall and programmer Walter Flakus. With early producer John Fryer in tow, this is the album that fans were likely expecting as a follow-up to 1998's Darkest Days.
A young woman gets sexually used and abused by every man she meets while on her way to rising to the top of Hollywood's entertainment industry.
CARAVAN were the other half of the WILDE FLOWERS - the SOFT MACHINE being the other - that originated in Canterbury, Kent. The band itself was originally formed in early 1968 by guitarist/vocalist Pye HASTINGS, keyboardist Dave SINCLAIR, bassist/vocalist Richard SINCLAIR (later of HATFIELD & THE NORTH, NATIONAL HEALTH, etc.), and drummer Richard COUGHAN. All four members of CARAVAN were, at one time or another, in that band. They were a leading exponent of what became known as "the Canterbury sound". “In the land of Grey and Pink” is one of Caravan’s finest albums, possibly THE finest. While the centrepiece is the side long “Nine feet underground”, the complete album offers a melodic and coherent 40 minutes. A truly superb album, worthy of any music collection (prog or otherwise!).
Bootsy Collins has rightfully received accolades as funk's second officer (after George Clinton – and it should be third after James Brown and Clinton). For decades he has been sampled by every rapper from Snoop Dogg to OutKast, and virtually created the bass sound that made the Red Hot Chili Peppers a household name and that created a career for Les Claypool. Yet, his most influential sound emanated not from his tenure with James Brown or P-Funk, but his own Rubber Band, and until now that wooly, wild, and surreal unit has never been properly anthologized. Rhino, in their usual thorough, crazy fashion, have directed the folks at the Warner archives and have created a massive, drop-the-bomb two-disc set that sets the record straight.