When Jerome Kern's "Roberta" opened on Broadway on November 18, 1933, few realized that they were witnessing what was to become one of the best-loved musicals of all time. Had Kern written only the score of "Roberta" it would have been enough to establish him as a composer of unusual gifts. For this is one of the few shows that can boast such a long list of all-time favorites. Each of the songs heard in this album by the Morris Nanton Trio is as fresh today as it was in the fall of 1933.
The plot of "Roberta" is one of those improbable stories which abound in the history of the musical comedy. It concerns the inheritance of a fashionable Paris dressmaking establishment by an American football player and his romance with one of the employees…
The Most Important Jazz Album of 1964/65 was the first album trumpeter/vocalist Chet Baker recorded upon returning to the United States in 1964. Jazz had undergone a radical development post-1963 with artists such as John Coltrane and Wayne Shorter beginning to focus on complex harmonic explorations over pretty melody. Having spent the prior three years in Europe, falling deeper into heroin addiction, Baker found himself a pleasant, if somewhat forgotten, anachronism of the previous decade. Consequently, the icon of '50s cool attempted to reinvigorate his career and showcase his musical growth by enlisting the sensitive piano chops of Hal Galper and old collaborator tenor saxophonist Phil Urso. The new sideman, combined with a heavy dose of Tadd Dameron's compositions, gave Baker a more muscular edge that rubbed nicely with his trademark lyricism updating his sound for the hard bop '60s – a decade that would end, however, with Baker losing his teeth and falling into obscurity.
Reissue with the latest remastering. Comes with a description written in Japanese. A major player who has always been underrated, George Barnes was one of the first to record on electric guitar (accompanying blues singers) and was a top studio guitarist during much of his career. His style was very much based in the 1930s, and his single-note lines predated Charlie Christian, although he had much less of an impact. A professional by the time he was 13, Barnes was working on the staff of NBC by 1938. Based in Chicago, he recorded with Big Bill Broonzy, Washboard Sam, and other blues performers.
Willis "Gator" Jackson originally made a strong impression as a honking R&B player, first with the Cootie Williams Orchestra, then with his own popular bands. In 1959, starting with this Prestige set (which has been reissued on CD), Jackson made his mark on soul-jazz. Teamed with the up-and-coming organist Jack McDuff, guitarist Bill Jennings, bassist Tommy Potter and drummer Alvin Johnson, Gator is heard modifying his style a little (gone are most of the screams) in favor of swinging. He performs four group originals, "Come Back to Sorrento," and "Memories of You" with soulful feeling
Groovy was the third album to be released by acclaimed jazz pianist Red Garland. Originally released on Prestige Records in 1957 this energetic jazz album was performed by a trio made up of Garland alongside Paul Chambers (bass) and Art Taylor (drums). This new edition is released as part of the Original Jazz Classics Series and features remastered audio from the original master tapes. Available on 192/24 hi res digital.
Recorded in New York in 1958, and released the same year, In Orbit is trumpeter Clark Terry’s sixth album as leader. Featuring Thelonious Monk on Piano, in his only Riverside outing as sideman, the album also features Sam Jones (bass) and Philly Joe Jones (drums). This new edition is released as part of the Original Jazz Classics Series and features remastered audio from the original master tapes. Available on 192/24 hi res digital.