Phish put on one of the most epic live show runs in history last summer when they booked 13 nights at New York’s iconic Madison Square Garden. With two sets a night for a total of 26 unique setlists, the jam legends ended up playing a whopping 237 songs without ever repeating themselves. Now, each and every song they baked up can be taken home with you in the newly announced The Complete Baker’s Dozen Box Set.
The Clifford Ball was the first in a series of 7 weekend-long events hosted by the band. In each show, Aug. 16-17, 1996, Phish performed 3 sets & an encore to 70,000 fans. This phenomenal festival was captured on film and is now available on 7 DVDs. Also included is an interview with Jim Pollack, interview with the band, and more. It was a music festival with just one amazing act. In 1996, Phish set up a stage in rural Plattsburgh, New York, and played for two days, offering three full sets to over 70,000 fans. The weekend-long show, dubbed The Clifford Ball, was the first in what would become a powerful musical tradition–drawing jam-band fans from across the globe, Phish followed-up the massive concert with six legendary festival-style performances. This incredibly comprehensive box set includes the sights and sounds from the Plattsburgh stage, including nine hours of improvisational jams, as well as behind-the-scenes footage of the band.
Edited by guitarist Trey Anastasio in the late '80s, this compilation of early demos and four-track experiments was sold by the band at early performances. After going out of print, the collection (known as The White Tape) informally circulated among fans for years before being officially released by the band in 1998…
Phish recorded the album with legendary producer Bob Ezrin (Pink Floyd, Lou Reed, Peter Gabriel) last fall, as the band's 30th anniversary approached. The songs for Fuego took shape during a series of visits to Phish's longtime creative hub, The Barn, a rustic, reconstructed barn-turned-rehearsal/recording studio located outside Burlington, Vermont. There they explored dozens of ideas, which led to a notable shift in the band's songwriting approach. While Fuego includes tracks that individual members brought to the table in usual Phish fashion, the bulk of the material was written by all four, working together at The Barn.
…July 6, 1998 is the second of two shows Phish played at the Lucerna Theatre, an old theater turned into a music club located a few flights below street level in the Nove Mesto section of Prague. This show entwines music from the album "The Story of The Ghost" with Phish classics in a non-stop, hard-rocking performance elevated by its unique location and intimate setting. The intimacy of this show can not be overestimated - the average size of the venues Phish was playing at in the United States at the time were easily 20-30 times larger.
A six-disc archival set, Ventura chronicles summer concerts Phish gave at the Ventura County Fairgrounds in the back half of the '90s, by which time their status as the titans of jam was well-established. The first show here is from July of 1997, the second performed a year later, which means both arrived during the two-year gap separating 1996's Billy Breathes and 1998's The Story of the Ghost – two years where the band's popularity was on the rise and it certainly seemed like a crossover was perhaps within their sites.
During the early '90s, Phish emerged as heirs to the Grateful Dead's throne. Although their music was somewhat similar to the Dead's sound – an eclectic, free-form rock & roll encompassing elements of folk, jazz, country, bluegrass, and pop – the group adhered more to jazz-derived improvisation than folk tradition.
PHISH, a US band, was formed in 1983 at the University of Vermont by guitarist/vocalist Trey Anastasio, rhythm guitarist Jeff Holdsworth, and drummer Jonathan Fishman, later joined by bassist Mike Gordon. Jeff soon left the band (he found religion) and Page McConnell joined on keyboards, finalizing the lineup…
What's most striking at the outset of Phish's Coral Sky DVD is how much the band's presentation here, in November 1996, is so remarkably similar to the sound and vision of the Vermont-based jamband since its reunion in 2009. From the sight of drummer Jon Fishman in his trademark dress on stage, to the near telepathic tradeoffs during improvisational segments, this might well be a recent performance.