On 15" July 1987 two guitar maestros shared the stage at the Montreux Jazz Festival for an evening of breathtaking flamenco music. The show opens with a solo piece from John McLaughlin, followed by a solo piece from Paco de Lucia, before the two virtuosos join forces in a series of duets for the rest of the evening. The repertoire is drawn from their solo albums, from albums by The Guitar Trio and from covers of music written by friends such as Chick Corea and Egberto Gismonti. This is a superb concert for any lover of great flamenco guitar playing or indeed for anyone who loves to see great musicians performing at their very best.
En Vivo Conciertos España is the first release of new material in seven years, and first live album in 18, by the flamenco guitar god par excellence. While de Lucía's output has slowed down considerably in the past two decades, the same cannot be said of his prodigious dexterity, in light of this two-CD set culled from his 2010 Spanish tour. De Lucía performs extended variations of eight of his compositions (almost every track surpasses the ten-minute mark) together with his new band of guitarist Antonio Sánchez, bassist Alain Pérez, singers David de Jacoba and Duquende, harmonica player Antonio Serrano, and dancer Farru, all eminently up to de Lucía's notoriously high standards. A DVD with the "making-of" documentary La Inmortalidad del Concierto completes the release.
A limited edition of the Camaron de la Isla 'Integral' box-set. It represents a veritable journey through his life and singing. It includes 21 original albums. The first 17 of them were made in recording studios by Camaron from 1969 to 1992 while he was alive. The third LP of Camaron and Paco was released in 1971, and featured a cover similar to the previous ones. Perez de Leon positions them in a polychromatic sea landscape (which looks like plastic from afar), dressed in formal suit and tie (among his peers Camaron was the first to introduce the suit and tie). Antonio Sanchez and Paco de Lucia appear as authors in the credits -the latter for his guitar variations.
A limited edition of the Camaron de la Isla 'Integral' box-set. It represents a veritable journey through his life and singing. It includes 21 original albums. The first 17 of them were made in recording studios by Camaron from 1969 to 1992 while he was alive. The eighth album in Camaron de la Isla's discography with Philips record company, "with the special collaboration of Paco de Lucia" and Ramon de Algeciras on guitar. A varied summary of flamenco styles - from the Chacon taranta to El Mellizo tientos, with sevillanas and fandangos caracoleros in between - which was dubbed at the time as a "jewel of a record".
Francisco Gustavo Sánchez Gómez, known as Paco de Lucía, was a Spanish virtuoso flamenco guitarist, composer and producer. A leading proponent of the new flamenco style, he helped legitimize flamenco among the establishment in Spain, and was one of the first flamenco guitarists to cross over successfully into other genres of music such as classical and jazz. Richard Chapman and Eric Clapton, authors of Guitar: Music, History, Players, describe de Lucía as a "titanic figure in the world of flamenco guitar", and Dennis Koster, author of Guitar Atlas, Flamenco, has referred to de Lucía as "one of history's greatest guitarists". Castro Marín is the thirteenth studio album by the Spanish composer and guitarist Paco de Lucía. All songs were written by Paco de Lucía. The title was a tribute to his mother, a Portuguese woman from Castro Marim.