This anniversary release is a three CD collection featuring classic rock acts from the Old Grey Whistle Test era including the likes of Elton John, Eric Clapton, The Who, Bob Dylan and Led Zeppelin, as well as a number of American new wave artists such as Blondie, The Ramones and Talking Heads. The bonus tracks were recorded live on the Old Grey Whistle Test and cover the shows entire 16 years and as such have a more diverse feel with artists from Alice Cooper and John Lennon to Magazine and Simple Minds. The album is packaged in a deluxe reverse board digipak.
This live 1995 recording from New York's Village Vanguard club features drummer Paul Motian, guitarist Bill Frisell, and tenor saxophonist Joe Lovano turning in a stellar set of jazz covers and Motian originals (this is the same trio the drummer led in the late '80s and recorded high-profile tributes to Bill Evans, Thelonious Monk, and Tin Pan Alley with). As the premium sound quality of the recording makes clear, this trio had an almost telepathic rapport on stage, inspiring each other in both ensemble playing and solo flights.
Toronto’s Alex Pangman is set to release “new”, her 3rd album with Justin Time Records on November 3rd, at Toronto’s Hugh’s Room, with subsequent launches on November 7th at Montreal’s Upstairs Jazz, and November 9th at London ON’s Aeolian Hall. The album was recorded in New Orleans. New being the theme, it represents both a new chance at life — Pangman had second lung transplant just seven months before recording this album — but also a shock of new things. New co-producer Andrew Gilchrist recorded Pangman in New Orleans using new musicians from the city where jazz was born…
At first listen, Halifax, Nova Scotia-based singer/songwriter Jill Barber sounds like merely the latest in a lineage that stretches back at least as far as her fellow Canadian Joni Mitchell. Her debut album For All Time is a familiar blend of folk, country, soft rock, and occasional torchy jazz influences, along with one oddball ringer, the Melanie-style Tin Pan Alley throwback (complete with tootling clarinet!) "When I'm Makin' Love to You." That playful tune is an early indication that Barber isn't interested in being just the next Norah Jones, and closer listens reveal a stronger talent…
“…her intensity, along with her vocal hoarseness, evokes the personable style of Melissa Etheridge… Even at quiet volumes, Noble still sings from her gut…” ~Washington Post