Paris, My Sweet

Jazz is a music genre that originated from African American communities of New Orleans in the United States during the late 19th and early 20th centuries. It emerged in the form of independent traditional and popular musical styles, all linked by the common bonds of African American and European American musical parentage with a performance orientation. Jazz spans a period of over a hundred years, encompassing a very wide range of music, making it difficult to define. Jazz makes heavy use of improvisation, polyrhythms, syncopation and the swing note, as well as aspects of European harmony, American popular music, the brass band tradition, and African musical elements such as blue notes and African-American styles such as ragtime. Although the foundation of jazz is deeply rooted within the black experience of the United States, different cultures have contributed their own experience and styles to the art form as well. Intellectuals around the world have hailed jazz as "one of America's original art forms".

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The swing revival was custom made for singers like Keely Smith. Keely Swings Basie Style… With Strings follows 2000's Swing, Swing, Swing and 2001's Grammy-nominated Keely Sings Sinatra, capping off a trilogy of lovingly performed classic jazz. Smith's backward glance, however, isn't just pure nostalgia. Keely Swings Basie Style, for instance, begins with Count Basie-style arrangements and then applies them to a number of songs not necessarily associated with the bandleader. The addition of strings provides another distinctive layer. Smith begins with "April in Paris" and brings her warm vocals to bear on a number of other classics, including "Happiness Is a Thing Called Joe" and "How High the Moon." There's a particularly lovely take on "Mood Indigo" and a bouncy version of "Cherokee (Indian Love Song)"…

Digitally remastered box of Cole's complete recordings for Capitol Records from 1955-1959. The 11CDs with 293 tracks for over 800 minutes of music include a combination of Cole's most famous and most obscure work. The set includes all the material for no less than 16 classic Nat King Cole albums: The two piano-centric albums of 1955-'56: "The Piano Style" (with Nelson Riddle) and "After Midnight" (with Harry "Sweets" Edison, Juan Tizol, Willie and Stuff Smith) as well as the "bonus session" for "Penthouse Serenade"…